Over the last ten years, I’ve written three books at my desk in my home office in Maryland. Below is the desk where I wrote Washington Irving over the span of just ten months in late 2006- early 2007.
My office at that time was in a long, narrow upstairs room, just off our bedroom. When we moved into the house, it was an old and unused kitchen (don’t ask). We removed all the old appliances, laid down some vinyl tile, painted the walls blue and brown, pulled some phone line, and moved in a daybed, IKEA bookshelves and an IKEA workbench (with the unfortunate IKEA designation of JERKER). While the room was small, I could keep nearly any reference I needed within arm’s reach on a bookshelf directly behind me (which you can’t see in this photo). as well as on the low shelf just over my computer screen. At that time, I was writing on a Dell desktop, which we bought new just for me to write on, since our main computer was located in a public space in the parlor.
This was a small, cozy set-up, and I actually enjoyed writing here. Getting Irving done in ten months meant getting up every morning at 5 a.m, writing until about 7:30, then heading for my day job in local government. I’d return here each evening at about 5:30 p.m. and write until 11 — then repeat the next day for the better part of a year. One of the nicest things about this set-up, however, is that from time to time, Madi — who was barely a middle schooler then — would sometimes crawl into the day-bed and fall asleep while I was working in the evenings.
When I began work in earnest on Jim Henson in 2010, it was immediately clear the space in the upstairs office wasn’t large enough to contain all the notebooks, books, and other resources I was using — including a gigantic white board that I was using to map out family trees and outline chapters. So, in the autumn of 2010, I set up an office in our basement, making a desk out of two farm tables pushed into an L-shape in front of the corner fireplace.
Sorry the photo is blurry–but as you can still see, it got messy in a hurry. Instead of the Dell, I was now working on a desktop Mac, with a gigantic screen that made it easier for me to look at multiple documents on screen at the same time. For 2 1/2 years, all I did was Jim Henson–the elected official I had worked for had opted not to run again in 2010, which permitted me to dedicate myself to Jim full time. As you can imagine, then, this particular corner got messier and messier, and the piles of books and notebooks deeper and deeper.
Forward now to late 2014-early 2016. Initially, I was writing George Lucas in my basement office, sitting at a new, modular L-shaped desk that took up roughly the same footprint as the two farm tables shown above. However, as I began my work on each chapter, I would pull out all the books and notebooks and interviews anything else I needed, and start making piles on my desk–and it was clear that this was book was going to be more than my desk could handle; I simply needed more horizontal surfaces on which to pile and stack and spread out. By mid-2015, I finally took over our dining room table.
While I’ve got an old MacBook laptop in the middle of things here, I eventually moved my desktop Mac up here as well. And I’ll admit it: while the hardbacked chair is uncomfortable, there are windows on three sides of the room, making this a much warmer and brighter spot in which to write than the basement. It was also much less isolated; while Madi is long gone, the dog would come in and sleep under the table while I worked, and Barb could come in and check on me every now and then.
I was also back at work full time while I wrote this one (working for a different elected official), which could make for some long days. I’m not the early riser I was when I was writing Washington Irving; instead, I would get up around 7 each morning so I could be at work by 9 a.m.–then, once home by 6 p.m., I would immediately sit down to write, stopping for about thirty minutes for dinner with Barb, then write non-stop again until 2:00 a.m. or so . . . then do it all over again the next day.
What I find so interesting about all this is that as the projects got larger and more labor intensive, my workspace seemed to get less and less formal. While I’m one of those writers who likes a dedicated space for writing (like Washington Irving, I love cozy writing rooms), what I found as time went on is that I preferred a less formal, more spacious, and much less secluded writing area. Not that it made things any less messy.