The Tiresome, Ongoing Scams

“Hi Brian, I hope you’re doing well,” chirps the e-mail.

“I came across The Capitol: The Surprising Biography of an American Building and was immediately drawn to the idea of telling American history through one of its most recognizable buildings. Rather than treating the Capitol simply as architecture, the book opens the door to centuries of political conflict, cultural change, ambition, and human stories surrounding its creation and evolution.”

What writer wouldn’t love an e-mail like that? 

It goes on in a similar manner, continuing in glowing, effusive, flattering terms, telling me how great my book is and how talented I am, then finally tilts into its sales pitch. In this case it’s a “professional book marketer, who works with a dedicated team to help authors increase visibility and connect books with the right readers.”  

What she says sounds promising—she wants to get my book in front of readers and book clubs, “history communities,” and asks if she can send over a proposal. Say YES, and she’ll send along a lengthy e-mail with a highly detailed plan to promote your book, with several different tiers of services, running anywhere from $400 to $4,500, sometimes more, sometimes less. 

And that right there, dear friends, is the scam.

Sure, any writer would love to get their book in front of readers–and promoting is hard, even to those of us who have been doing this a long time. It would be great to have your own personal publicist looking out for your book.

Except none of its real. Pay them the money they’re asking for, and they’ll disappear like a phantom, without the courtesy of even leaving a dramatic puff of smoke behind. (There’s a minor caveat here: sometimes they’ll take your money and actually write a terrible press release that they’ll then dump to a website filled with even more sloppily written, random articles, providing you with zero promotion, and certainly a long way from those “guarantees” of great visibility that they’ve promised.)

It’s all part of the latest series of scams that authors continue to receive daily, filling our inboxes with a slurry of flattery and vapor trail promises. They’re all written with the same AI-generated Mad Libs—the first paragraph will generally start with, “I was immediately drawn to…“ and the second with “What really stood out was…” and then they’ll let AI do the rest, sending it crawling out onto the web to fish for blurbs and summaries of your book that results in a description that’s at once kinda weirdly specific yet still mostly generic. But maybe it does sound like the sender has read your book.

They haven’t. This is all AI-generated smoke and mirrors. 

When they’re not selling marketing services, the other big scam is the book club host/podcast owner who promises to bring you and your work to the attention of thousands—and sometimes hundreds of thousands—of interested readers, and what author wouldn’t love that? Write back to tell them that sounds great, and they’ll eventually get to the ask: there’s a “processing fee” of some sort for you to participate.

Nope. That’s not how this works. And should you pay the requested fee, they’ll take your money and vanish.

Here’s another one: you receive an e-mail from an editor at one of the biggest publishers around, telling you they love what you do and want to work with you. You check the name, and sure enough it really is the name of an editor at Big Publishing House—except (1) this is not the way anything works and (2) the email comes from a gmail account, not an e-mail affiliated with the publishing house, and (3) this is not the way anything works.

What’s the scam here? After luring you in with flattery and promises of helping you write and promote the next great best seller, they’ll start asking for money for editorial services, promotion, printing fees, etc.

Again: this is not the way anything works. And it’s gotten so bad that some of the major publishers—including mineare posting warnings on their websites about it.

Oh, and sometimes, you might just get an e-mail from a Very Famous Author, who says they love your work and just want to start a conversation that might lead to working together on a project. It all sounds very flattering—but trust me, a genuine bestselling urban fantasy author is not writing to me out of the blue to talk about a collaboration, and they’re probably not writing to you, either. (And if you get a similar e-mail that claims to be from me, send me a note to let me know.)

Authors who have been in the game for a while are generally pretty good about sniffing out these scams, though some of these offers are worded craftily enough that it can take some back-and-forthing before learning what these fraudsters are really up to. (I thought perhaps there were no actual real people behind these messages, but I’ve responded to enough of these scammers, calling out their bullshit, to get some really salty responses back.)

What makes me angriest about these scammers is that they’re preying on the hopes and dreams of writers—usually those just starting to find their way—who want their book to be read by as many people as possible and would do almost anything to make that happen. These people know that, which makes what they’re doing especially cruel. 

So please, my dear fellow writers, keep in mind that if it sounds too good to be true, it probably is. And if you still have questions about a proposed service, guest appearance, or collaboration—no matter what it might be–please talk to your fellow writers or check out the Scam Alert at the Authors Guild before giving anyone your money. We’re all doing our best to look out for each other.

Celebrating 50 Years of The Muppet Show

Several weeks ago, I had the pleasure of speaking with Ellen Wexler, a fine writer for Smithsonian magazine, who was putting together a piece on the 50th anniversary of The Muppet Show. For the detail-minded Muppet fans out there (and I’m one of you), she was very careful to point out that she was writing about The Muppet Show in the U.K., where the first episode debuted on September 5, 1976–a little more than two weeks before the show premiered in the United States.

You can read her entire piece here.

Ellen talked to LOTS of people for this one–including Muppet performer Dave Goelz and Henson Company archivist Karen Falk–and I might even be quoted in it once, twice, or thrice.* It’s a lot of fun, and a good look at the behind-the-scenes (and front-of-the-scenes) work that got The Muppet Show on the air five decades ago. Have fun.

(It’s actually six times.)

On Writing

I was cleaning out my inbox the other day and found a message I received months ago that I’d responded to and filed away. It was from someone in a thesis program who was interested in biography, and asking if I had any hints or tips of the trade I could offer to aspiring biographers. I wrote back with a bit of casual advice aimed at biographers, but I thought it might be helpful for any writer, regardless of genre. Here’s my (lightly edited) response:

Thanks for writing.

My first bit of advice is: read read read read read.  Not just biographies, but lots and lots of stuff, anything and everything. As Stephen King says: “If you don’t have the time to read, you don’t have the time (or the tools) to write. Simple as that.” And it’s true.  Listening to the voices of others, believe it or not, will help you find your own.

On the flip side: write write write write. Writing is a muscle that has to be exercised. There’s a moment in a great Eagles documentary where Glenn Frey talks about writing songs, and telling his mentor Bob Seger that his songs were bad. And Seger essentially tells him, “yeah, they’re gonna be bad. At first. Then you’ll write one good one. Then another. And eventually you’ll be a good songwriter.”

Writing is like that. Whether it’s a blog or a private journal, write and find your voice–and once you find that voice, keep singing with it. I still learn how to be a better writer just from the act of sitting down and writing. And now I go back and look at my first book and think, yikes, I wish I could rewrite that one, because all I can see is how I would do it now.  Keep learning by doing.

Next: read lots of biographies. You’ll figure out what you like as a reader and what you don’t like as a reader, which will inform how you work as a writer and how you want to interact with your readers as a writer of non-fiction. Me, for example, I don’t like it when the author steps into the narrative and you suddenly become aware of the biographer. But that’s just me. Plenty of great biographers make themselves a presence in their work, and that’s totally okay. But it’s something I decided early on that, nope, I’m not gonna do that. But that’s me. You get to do you.

If you’re writing a thesis, you’ve already got the research part down–but know that that’s usually the fun part of writing bio/non-fiction. The research is always fun; it’s the writing–at least for me–that’s hard. And writing those very first words on the very first page can be particularly hard. Keep at it. 

There’s really no big secret to writing except (as so many creatives will tell you) “ass in chair.” Sitting down to write sucks some days. Washington Irving loved preparing to write more than he loved the actual writing. George Lucas called writing “bleeding on the page.” Dr. Seuss’ wife once said, “He’s miserable when he’s writing, and even more miserable when he’s not.” All true.

And as I always tell other writers, “never be afraid to suck with the door shut.” It’s not an original bit of advice by any stretch, but it remains true. Your first draft doesn’t need to be perfect; sometimes just getting something down on the page is all it takes to get everything moving. You can polish later. That’s what rewrites are for. 

Finally, I highly recommend joining local writer groups and organizations that support writers of your genre–in this case, there’s Biographers International Organization (biographersinternational.org) which has a great annual conference and is a terrific place to meet and commensurate with fellow biographers at all levels in their careers. You might be sitting at lunch talking to a writer about, say, Edgar Allan Poe and then realize the next day it was SOMEONE WHO WON THE PULITZER PRIZE FOR BIOGRAPHY 30 YEARS AGO.

Now go be brilliant.

Taking The Capitol (and Jim Henson) to the Capital

I’m excited to finally be bringing The Capitol to Washington, D.C. for a weekend in October. But first, let me tell you about another event I’ll be doing that same weekend. It involves this guy:

This has been in the works for a while–and now that it’s finally been posted, I’m excited I can officially tell you about it: on Friday, October 23, I’ll be appearing with Jim Henson Company Archives Director Karen Falk at the Smithsonian Museum of American History for a conversation about the life and work of Jim Henson, told through six objects in the Smithsonian’s collection. Our moderator and guide will be Ryan Lintelman, entertainment curator in the Smithsonian’s Division of Culture and the Arts. Here’s the official description from Smithsonian Associates:

Jim Henson’s boundless imagination and enduring legacy are best revealed through his creations. From inventing beloved characters such as Kermit the Frog and Rowlf and crafting fantastical worlds in The Dark Crystal and Labyrinth to creating television for the whole family in The Muppet Show and Fraggle Rock, Henson’s creative genius was unparalleled.

The Jim Henson Company Archives Director Karen Falk and biographer Brian Jay Jones explore six extraordinary objects donated by Henson’s family to the National Museum of American History. Each offers a unique window into Henson’s creativity, artistic evolution, and long-lasting cultural impact. Ranging from early experiments to iconic creations, these artifacts reveal how Henson blended artistry, technology, and storytelling to reshape modern entertainment. Guided by Ryan Lintelman, entertainment curator in the Smithsonian’s Division of Culture and the Arts, the discussion weaves together biography, behind-the-scenes insights, and historical context.

Following the program, attendees have the rare opportunity to see objects from the National Museum of American History’s collection that are not on public display.

Which six objects will we be discussing? You’ll have to find out–but as you can see, it’s six objects that are presently not on display in any of the Smithsonian’s museums. And as Karen and I went down the list of the six, divvying up who would discuss what, I am giddily excited about one object in particular that I get to talk about.

You can find more information about the event here at the Smithsonian’s website–and while our event is at noon on a Friday, if you’re going to be in Washington that day, I hope you’ll register and come see us. It’ll be a blast, I promise.

The very next day, at 5 p.m. on Saturday, October 24, I’ll be discussing The Capitol at Politics and Prose with the help of ace biographer, historian, lawyer, and novelist David O. Stewart. David’s latest book is The Democracy We Must Keep: Seven Founders, Nine Documents and the Ideas that Shaped America, so between the two of us, we’ll have plenty to say about the hard work that goes into building a nation, and what our founding documents and infrastructure tell us about who we are as Americans. The event is free, but get there early to grab a seat.

Oh, and we’ll be at the flagship P&P on Connecticut Avenue, so don’t head for the one at the Wharf or at Union Market or you’ll miss us. And we’ll miss you.

The Capitol Makes the WSJ

Each week, The Wall Street Journal showcases fifteen books as part of its “15 Books We Read This Week” feature. And this week, I was delighted to see The Capitol among them.

Even better, reviewer Tevi Troy–a former Deputy Secretary of Health and Human Services–wrote a thoughtful piece on the book, and ultimately concluded that, “The U.S. Capitol is perhaps the most recognizable symbol of the American republic. Mr. Jones has given it the biography it deserves.”

That was always one of my objectives–and I thank you very much for the kind words.

Talking the Capitol, Dr. Seuss, and the Re-animator

My thanks to everyone who’s taken a moment to tell me how much they’re enjoying–and have been surprised by–The Capitol. It’s a bit of a different kind of book for me–the first question I’ve been getting during interviews is usually “why this particular subject?”–but one that I’m really proud of.

And speaking of interviews, I thought I’d post a few of them here, if you’d like to hear me discussing all things Capitol–and sometimes some things Dr. Seuss.

That was the case, for instance, when I chatted with the amiable Matt Matern on A Climate Change with Matt Matern. We began by discussing Dr. Seuss’ The Lorax, and Seuss’ brand of environmentalism–while The Lorax remains one of his most frequently banned books, it’s not the anti-logging message you might think it is . . . or so Seuss said. That led us into a discussion about good stewardship, and how those lessons can apply not only to natural resources but also to a building more than two centuries old.

I also had a wonderful time speaking with Dan Skinner with Some Books Considered at National Public Radio. We discussed some little known facts, ghost stories, and how researching the building changed–or, rather, enhanced–my affection for the building.

And then there’s this deep dive on the history of the building with Evan Axelbank at Axelbank Reports History and Today. Evan is a terrific interviewer, who really knows his stuff, and we really plunged into the early days of the Capitol, including George Washington’s love of domes, Madison’s handwringing over moving the site, and architect William Thornton’s desire to reanimate the dead body of George Washington by pumping him full of lamb’s blood. Yes, really.

The Secret Origin of The Room Where It Happened

Okay, not so secret, actually. But off we go!

Politics, regional differences, compromise, improvisation and imagination are all part of the story of the making of the U.S. Capitol, whether it was deciding what materials to use, what the dome should look like, or — in this case — where to put the building in the first place.

I’m delighted to have a piece in The Washington Post today, giving you lots of details on what, exactly, led to a really important conversation in The Room Where It Happened.

Pub Day for THE CAPITOL

I’m delighted that today is the day I can finally put The Capitol in your hands. I’m really proud of this one, and I appreciate your patience; I know it’s been a while–seven years, in fact!–since I last saw you. I think–I hope!–you’ll find the wait was worth it.

As always, you can find The Capitol wherever you get your books. It’s also available in e-book and audiobook, so no matter how you prefer to consume your reading, you should be able to get it in the format of your preference. And I thank you.

Jim Henson Week in Mississippi

Kermit welcomes you to The Jim Henson Boyhood Museum in Leland, MS. (Photo by Ayrton Breckenridge)

This week, the Mississippi Clarion-Ledger is celebrating the life and work of native son Jim Henson, who was born in Greenville and spent a good part of his early childhood in nearby Leland. As part of their celebration, I got to talk with reporter Charlie Drape, an enthusiastic fan who admitted he didn’t know much of Jim’s non-Muppet projects, so I had a great time running my mouth at length to get him up to speed.

We talked so much, in fact, that Charlie very kindly wrote a bit about my journey toward becoming Jim’s biographer, before sitting down for a more substantive Q&A, in which I discussed Jim’s Mississippi roots and the creative restlessness that defined him. You can read our conversation here. (I should note an odd edit in our conversation, in which I’m reported as saying, “you could tell how intrigued [Jim] was by the length of time he spent saying the word ‘interesting.’ The longer the ‘interesting,’ the more fascinated he was.” That’s not quite what I said; I said you could tell you had his interest when he said, ‘hmmmmmm.’ And the longer the ‘hmmmmm’ the more interested he was. But no harm, no foul.)

Apparently there’s plenty more in store this week–including this photo gallery of the Jim Henson Boyhood Home exhibit in Leland–and Charlie promises a deep dive into the world of Labyrinth as well.

It’s Officially A Book

With a month to go before publication date, I got a nice surprise in the mail yesterday when a lone hardcover of The Capitol arrived, along with a nice note from my editor.

It’s officially pretty, and it’s officially A Book, complete with some final corrections and light edits (even on the very very last pass, I *still* couldn’t keep my hands off of it) and with an index and photo insert–two things that weren’t in the Advance Reading Copy. And hey! You’ll even get some photos in full color.

I wasn’t expecting to get a copy in the mail just yet, so I opened the padded envelope without hoopla or expectations–and I can vouch for the fact that holding your newest book in your hand for the first time will never not be exciting.