Tag Archives: Jim Henson

Eighty.

“When I was young, my ambition was to be one of the people who makes a difference in this world. My hope still is to leave this world a little bit better for my being here.” — Jim Henson

Happy Birthday to Jim Henson, who would have been 80 years old today. Celebrate his life by doing something silly, just because you can. Jim would approve.

Here’s one of my very favorite images of Jim, taken in the late 1980s. This one actually hung in the National Portrait Gallery for a while.

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Have fun today, and think of Jim for a little bit while you do it.

Happy Birthday, Jim. We still miss you.

(d)Evolution of a Workspace

Over the last ten years, I’ve written three books at my desk in my home office in Maryland. Below is the desk where I wrote Washington Irving over the span of just ten months in late 2006- early 2007.

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My office at that time was in a long, narrow upstairs room, just off our bedroom. When we moved into the house, it was an old and unused kitchen (don’t ask). We removed all the old appliances, laid down some vinyl tile, painted the walls blue and brown, pulled some phone line, and moved in a daybed, IKEA bookshelves and an IKEA workbench (with the unfortunate IKEA designation of JERKER). While the room was small, I could keep nearly any reference I needed within arm’s reach on a bookshelf directly behind me (which you can’t see in this photo). as well as on the low shelf just over my computer screen. At that time, I was writing on a Dell desktop, which we bought new just for me to write on, since our main computer was located in a public space in the parlor.

This was a small, cozy set-up, and I actually enjoyed writing here.  Getting Irving done in ten months meant getting up every morning at 5 a.m, writing until about 7:30, then heading for my day job in local government. I’d return here each evening at about 5:30 p.m. and write until 11 — then repeat the next day for the better part of a year. One of the nicest things about this set-up, however, is that from time to time, Madi — who was barely a middle schooler then — would sometimes crawl into the day-bed and fall asleep while I was working in the evenings.

When I began work in earnest on Jim Henson in 2010, it was immediately clear the space in the upstairs office wasn’t large enough to contain all the notebooks, books, and other resources I was using — including a gigantic white board that I was using to map out family trees and outline chapters. So, in the autumn of 2010, I set up an office in our basement, making a desk out of two farm tables pushed into an L-shape in front of the corner fireplace.

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Sorry the photo is blurry–but as you can still see, it got messy in a hurry. Instead of the Dell, I was now working on a desktop Mac, with a gigantic screen that made it easier for me to look at multiple documents on screen at the same time. For 2 1/2 years, all I did was Jim Henson–the elected official I had worked for had opted not to run again in 2010, which permitted me to dedicate myself to Jim full time. As you can imagine, then, this particular corner got messier and messier, and the piles of books and notebooks deeper and deeper.

Forward now to late 2014-early 2016. Initially, I was writing George Lucas in my basement office, sitting at a new, modular L-shaped desk that took up roughly the same footprint as the two farm tables shown above. However, as I began my work on each chapter, I would pull out all the books and notebooks and interviews anything else I needed, and start making piles on my desk–and it was clear that this was book was going to be more than my desk could handle; I simply needed more horizontal surfaces on which to pile and stack and spread out. By mid-2015, I finally took over our dining room table.

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While I’ve got an old MacBook laptop in the middle of things here, I eventually moved my desktop Mac up here as well. And I’ll admit it: while the hardbacked chair is uncomfortable, there are windows on three sides of the room, making this a much warmer and brighter spot in which to write than the basement. It was also much less isolated; while Madi is long gone, the dog would come in and sleep under the table while I worked, and Barb could come in and check on me every now and then.

I was also back at work full time while I wrote this one (working for a different elected official), which could make for some long days. I’m not the early riser I was when I was writing Washington Irving; instead, I would get up around 7 each morning so I could be at work by 9 a.m.–then, once home by 6 p.m., I would immediately sit down to write, stopping for about thirty minutes for dinner with Barb, then write non-stop again until 2:00 a.m. or so . . . then do it all over again the next day.

What I find so interesting about all this is that as the projects got larger and more labor intensive, my workspace seemed to get less and less formal. While I’m one of those writers who likes a dedicated space for writing (like Washington Irving, I love cozy writing rooms), what I found as time went on is that I preferred a less formal, more spacious, and much less secluded writing area.  Not that it made things any less messy.

Out Today: Jim Henson (Finally!) In Paperback

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After nearly three years in hardcover, Jim Henson is finally available in a nifty paperback format. Just for fun, I’ve posted the entire wraparound book jacket, so you can see what a nice job the folks at Ballantine have done with it. There was a bit of discussion about the best color to use as a background to give the paperback a different look and feel than the hardcover, and I think the light blue is a nice touch. You can click here to get it on Amazon, here for Barnes and Noble, and here to find it on Indiebound.

CiGzhBZXAAA7fdzIt was also neat this morning to see Random House tweet out a photo of the five books they launched today.  There’s Jim, in the photo at right, leaning casually up against the Rolling Stones.

I’ve been asked if there’s any material in the paperback that wasn’t in the hardcover, and the answer to that is: yes, but you probably won’t really notice. There were a couple of corrections to be made (somehow, I put Featherstone in the cast of Tales of the Tinkerdee, when, doggone it, I knew better than that), and a reference to the TV reboot of The Muppets, but for the most part, there are no real major additions. I got pretty much everything in the first time.

Oh, and in case you’re still without one, the hardcover will stay around for just a bit longer, too, before it’s finally taken out of print.

Jim Henson in Paperback

51yntBdmPAL.jpgAt long last, there’s an official release date — and official cover — for the paperback of Jim Henson: The Biography.  It’ll be coming your way on May 10, 2016.

You can pre-order it on Amazon right here, at Barnes & Noble here, or from IndieBound here. And, of course, you can also order it from your favorite bookstore near you.

Live! From (Upstate) New York!

DSC_0320-280x270While I’ve been trying to keep appearances to a minimum as I finish up work on George Lucas, here’s one I couldn’t resist:

I’ll be giving an hour-long presentation on Jim Henson at the Guilderland Public Library in Guilderland, New York, on Friday, February 19, at 2:00 p.m.  As an added bonus, the library will have several Muppets on display, on loan courtesy of The Jim Henson Legacy.

Which Muppets, you ask? Ah, that’ll be a surprise for me as well.

The Guilderland Public Library is located at 2228 Western Avenue, just northwest of Albany. And did I mention it’s free? Of course it is — so if you’re in the area, come on by.

A New Jim Henson Documentary Debuts in September

Months and months and MONTHS ago, I was interviewed on camera by a crack team of documentarians for a new PBS series called In Their Own Words  —  the first three episodes of which would feature Queen Elizabeth, Muhammad Ali, and (ta dah!) Jim Henson.  Back then, they weren’t quite sure when the series would premiere, but now here it is, all queued up and ready to go on a PBS station near you this September — with the Jim Henson episode slotted for September 15. (Looking over the schedule, it appears there’s also one part of a two-part documentary on Walt Disney airing that evening, so it’s a good night to get your fill of creative geniuses.)

Will I be on camera? I don’t really know; looking at the preview, they got tons of terrific people to talk with them — Frank Oz, Brian and Cheryl Henson, Michael Frith, Neil Patrick Harris — so what are ya looking for ME for anyway? Click on the photo of Jim below and have a look:

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In Their Own Words: Jim Henson, airs on September 15 at 8:00 pm — but check your local listings, as they say. Or don’t. I’m not the boss of you.

See You (In Mississippi) in September

While I’ve been keeping speaking engagements to a minimum as I work on George Lucas,  I’m incredibly honored to be asked to speak on Jim Henson at the Mississippi Governor’s Conference on Tourism at the end of September. I’ll be kicking off the Monday morning session on September 28, down in Vicksburg, Mississippi.  For more information, you can check the conference out right here.

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Hey Froggy Baybeeeee!

I don’t know who actually posted his — someone calling him/herself “Henson Rarities” — but whoever they are, they’ve posted on YouTube one of my all-time favorite Muppet variety show appearances. It’s Kermit and Grover performing “What Kind of Fool Am I?” on the Ed Sullivan Show in 1970, and it’s a thing of beauty, even with the terrible condition of the video. (Nerd note: Unofficial Official Muppet Historian Craig Shemin actually found a much higher-quality, full color version of this that he unveiled in New York a few years ago, and lemme tell ya, it is a beaut.)

Just One Person: An Excerpt from JIM HENSON: THE BIOGRAPHY

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A NOTE FROM BRIAN:
I usually prefer to celebrate a subject’s date of birth rather than observe the day he died. But it’s worth noting that twenty-five years ago today — May 16, 1990 — Jim Henson passed away at 1:21 a.m. in New York.

Readers of Jim Henson: The Biography often tell me that they find the chapter on Jim’s death to be both sad and fascinating, especially as the circumstances of Jim’s death have, for the last two-and-a-half decades, been misinterpreted, misreported, or just plain misunderstood. I appreciate hearing that readers find this portion of the book as gratifying as they do heartbreaking. You can thank the Henson family for their openness in discussing Jim’s death, and for providing me with the honor — and responsibility — of reading Jim’s medical records from that day in May 1990.

As we remember Jim on the occasion of his passing, then, I thought I’d do something a bit different. I’m posting below — perhaps for only a limited time — an excerpt from the chapter “Just One Person,” from Jim Henson: The Biography, on the days leading up to and including Jim’s death. We’ll begin on Saturday, May 12, 1990, with Jim and his daughter Cheryl flying to North Carolina to visit his father Paul and stepmother Bobby. Continue reading

Remembering Stan Freberg

stanMan, this one hurts. The great Stan Freberg has passed away at age 88.

I had the great pleasure of interviewing Freberg around 2012 when I was doing research on Jim Henson.  I was very excited to make the phone call, as I was a huge fan of his, and when I mentioned how much I loved his “Banana Boat” parody, Stan immediately dropped into that great voice and did a bit of it on the phone (“I came through the window!”)

So what does Stan have to do with Jim Henson and the Muppets? Glad you asked.

In the early days of the Muppets, when Jim Henson was doing Sam and Friends here in DC on our local NBC station, Jim used to have the Muppets lip-synch to comedy records–which more often than not meant he was gonna use one of Freberg’s. Here are a few of the members of the cast of Sam and Friends (specifically Moldy Hay and Hank and Frank) lip-synching to Freberg’s “C’est Ci Bon,” probably sometime in 1955 or 1956.  Take a look, and I’ll be back with you after the video:

Wasn’t that great? Now, an interesting coda to all this: back in the 1950s, there was never much thought given to clearing records for usage, which likely would have involved paying royalties–an expensive proviso, especially for a college student, which is what Jim still was in 1957. The strategy, then, was to ask forgiveness instead of permission–and when any wounded artist brought their concerns to Jim’s attention, most gave way after meeting Jim and watching the Muppets.

That was true for Freberg as well, who in 1957 learned that his records were being used without attribution (or recompense!) and went storming down to WRC-TV one evening to take up the matter with Jim personally. Once he actually saw Jim (and Jane) performing to his records, he immediately melted. Shortly thereafter, he sent Jim an enthusiastic telegram. “I take it all back,” Freberg wrote. “This is one of the greatest acts I have ever seen [and I] am honored to let you use my records for ever and longer.” And so they did.

Miss ya already, Stan.