Category Archives: Uncategorized

Thursday Odds and Ends

I was thrilled this week to see Jim Henson get a nice shout-out in the New York Times Book Review, where it was listed in their “Paperback Row” as one of seven new paperbacks worth checking out this week. Many thanks for that — and thanks to all of you who’ve mentioned how much you’re enjoying seeing Jim in paperback.  I appreciate it.

Second thing: I’m leaving today for Richmond to attend this year’s Biographers International Organization (BIO) Conference. As the outgoing president of the organization, I had the pleasure of watching this planning and programming for this conference over the last year, and let me tell you — while it seems I say this every year, this really does look to be one of the most informative and entertaining conferences yet.

And with BIO’s new president (the terrific presidential biographer Will Swift, by the way) taking the reins of the organization as of yesterday, this’ll be the first conference I’ve attended since 2010 without being a board member, officer, moderator, or panelist.  I get to just sit and talk with people and enjoy the thing, which I’m really looking forward to. I also promise to report on things when it’s finished.  With photos, even.

See ya in Richmond!

Out Today: Jim Henson (Finally!) In Paperback

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After nearly three years in hardcover, Jim Henson is finally available in a nifty paperback format. Just for fun, I’ve posted the entire wraparound book jacket, so you can see what a nice job the folks at Ballantine have done with it. There was a bit of discussion about the best color to use as a background to give the paperback a different look and feel than the hardcover, and I think the light blue is a nice touch. You can click here to get it on Amazon, here for Barnes and Noble, and here to find it on Indiebound.

CiGzhBZXAAA7fdzIt was also neat this morning to see Random House tweet out a photo of the five books they launched today.  There’s Jim, in the photo at right, leaning casually up against the Rolling Stones.

I’ve been asked if there’s any material in the paperback that wasn’t in the hardcover, and the answer to that is: yes, but you probably won’t really notice. There were a couple of corrections to be made (somehow, I put Featherstone in the cast of Tales of the Tinkerdee, when, doggone it, I knew better than that), and a reference to the TV reboot of The Muppets, but for the most part, there are no real major additions. I got pretty much everything in the first time.

Oh, and in case you’re still without one, the hardcover will stay around for just a bit longer, too, before it’s finally taken out of print.

What I Told You Was NOT True, Not Even From a Certain Point of View.

My bad: the publication date for George Lucas: A Life is actually Tuesday, December 6, and NOT Friday, December 16, as I reported earlier.*  (And here I was being SO smug about coming out the same day as Rogue One: A Star Wars Story. Which looks doggone cool.)

I should also note that while the current listing says the book will be 320 pages, I’m guessing that, given the current length of the manuscript, the final book will be longer than that. Which is probably why it’s got a thirty dollar price tag.

Oh, and did I tell you? George Lucas is now available to pre-order from several booksellers. And with the corrected pub date, you now know it’ll arrive in plenty of time for Christmas.

Click here to pre-order from Amazon.
Click here to pre-order from Barnes & Noble. (Nook only at the moment).
(I’ll update this information for Indiebound, once it’s available)

* Serendipitously, perhaps, December 6 was the pub date for  A History of New York, the first book published by Washington Irving in 1809.

Stay on Target…

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Whew.

Late last night (or early this morning, whatever you want to call 12:04 a.m.) I completed the first draft of George Lucas: A Life.  It’s in the hands of John Parsley, my ace editor at Little, Brown, at this very moment.

The vital stats, you ask? It came in at just under 175,000 words–that includes the bibliography and endnotes–and took up 569 double-spaced pages.  How many pages of an actual book is that? Ya got me. (For reference: the first draft of Jim Henson came in at 700 pages, and eventually ended up as a 608-page hardback.  Out of the gate, George Lucas is already shorter than that. And there’s probably a height joke in there, but I’m not gonna make it . . .)

Technically, the draft was completed around 7:00 this morning, as that’s when I had Barb sit down at the desk and type the final period at the end of the last word. She’s definitely earned the right to be the one to finally blast this one into the net.

The fine folks at Little, Brown are still working hard to have this thing in your hands by Christmas of this year. If all goes as planned, it’ll be out December 10, 2016.

And now, I’m off to Tosche Station to pick up some power converters.

…And Then There Were Four.

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Over at BIO, we’ve narrowed our list of Plutarch Award nominees from ten (see the list just below) to a literary Final Four.  You can see ’em in the pic above. And a really interesting bunch they are.

Voting stays open until May 15, which means once I finish George Lucas (should happen by the end of the weekend), I can get to reading these terrific books.  I’m especially looking forward to reading Peter Guralnick’s Sam Phillips, mainly because his Elvis book Careless Love is one of my favorite books of all time. And I’m not even an Elvis fan, thangyewverrahmush.

And the Plutarch Award Nominees Are…

Over at Biographers International Organization — a group I’m proud to be the president of for another three months — we’ve announced the ten nominees for the Plutarch Award, presented to the year’s best biography. This is the world’s only literary biography prize given to biography, by biographers, which makes it a pretty neat deal.

BIO takes the Plutarch very seriously.  In fact, last year, with an eye on — among other issues — the hubbub surrounding the hijacking of the Hugo Award, we decided to better define and add a bit of rigor to our own process for selecting the initial ten nominees.  For this year, then, we dug into our esteemed Advisory Board and tapped Douglas Brinkley (who counts biographer among his long list of accomplishments) to chair a distinguished panel of judges who were tasked with sorting through, reading, digesting, and discussing as many of the biographies published in 2015 as they possibly could. The result of their hard work is the so-called shortlist of ten nominees.

And what nominees they are. This year’s ten nominees, in alphabetical order by author, are:

  • Irrepressible: A Jazz Age Life of Henrietta Bingham by Emily Bingham (Farrar, Straus and Giroux)
  • Lady Bird and Lyndon: The Hidden Story of a Marriage, by Betty Boyd Caroli (Simon & Schuster)
  • Restless Ambition: Grace Hartigan, Painter, by Cathy Curtis (Oxford)
  • The President and the Apprentice: Eisenhower and Nixon 1952-1961,
       by Irwin F. Gellman (Yale)
  • Sam Phillips: The Man Who Invented Rock ’n’ Roll, by Peter Guralnick (Little, Brown)
  • Hannah Arendt: A Life in Dark Times by Anne Heller (New Harvest)
  • Empire of Self: A Life of Gore Vidal by Jay Parini (Doubleday)
  • Clementine: The Life of Mrs. Winston Churchill by Sonia Purnell (Viking)
  • Custer’s Trials: A Life on the Frontier of a New America by T.J. Stiles (Knopf)
  • Stalin’s Daughter: The Extraordinary and Tumultuous Life of Svetlana Alliluyeva, by Rosemary Sullivan (Harper)

That’s a pretty distinguished group of books. And here’s something else I really like about this list: we’ve got six books written by women, and five books about women. As Jim Henson might say: “Lovely.”

Next, BIO’s Plutarch Committee will narrow the list to four finalists. Once those finalists have been selected, BIO members will get to vote for which of those four they think should be the Best Biography of the Year. We should receive that list in March, and the winner will be announced at the BIO Conference in June.

By the way, looking back at when I discussed the Plutarch last year at this time, I promised you I’d tell you who the winner was after the vote — and then I never came back and told you who that was.  It was Hermione Lee, for Penelope Fitzgerald: A Life.

Jim Henson in Paperback

51yntBdmPAL.jpgAt long last, there’s an official release date — and official cover — for the paperback of Jim Henson: The Biography.  It’ll be coming your way on May 10, 2016.

You can pre-order it on Amazon right here, at Barnes & Noble here, or from IndieBound here. And, of course, you can also order it from your favorite bookstore near you.

Live! From (Upstate) New York!

DSC_0320-280x270While I’ve been trying to keep appearances to a minimum as I finish up work on George Lucas, here’s one I couldn’t resist:

I’ll be giving an hour-long presentation on Jim Henson at the Guilderland Public Library in Guilderland, New York, on Friday, February 19, at 2:00 p.m.  As an added bonus, the library will have several Muppets on display, on loan courtesy of The Jim Henson Legacy.

Which Muppets, you ask? Ah, that’ll be a surprise for me as well.

The Guilderland Public Library is located at 2228 Western Avenue, just northwest of Albany. And did I mention it’s free? Of course it is — so if you’re in the area, come on by.

More Comings and Goings

Urgh, I continue to be the worst. Blogger. Ever.

Hi, everyone.  How ya doin’?

Since I last saw you, I’ve come back from a wonderful trip to Kinderhook, New York, where I had been invited to come talk on Washington Irving.  Kinderhook is particularly important in Irving’s story, because it’s where he wrote his first book, A History of New York, in the summer of 1809, while recovering from the death of his 17-year-old fiancee. While I was there, I toured Martin Van Buren’s home, Lindenwald (which is THE ACTUAL HOUSE where Irving wrote his History of New York, though it was still owned by the Van Ness family at that time), and had the great pleasure of staying in this house right here:

kinderhook georgianThis is a local landmark, the Burgoyne House, where British general John Burgoyne was held after his capture by Benedict Arnold.  Arnold, however, had to stay at a very nice, but much smaller, house just down the street.  Which probably explains a lot about what happened later.

I spoke that afternoon at the Reformed Dutch Church, where I talked about Irving’s version of the Dutch history of New York. Afterwards, I was asked several really good questions, and only slightly disappointed the home town crowd when I informed them that Kinderhook was probably not the Sleepy Hollow of Irving’s famous tale (Had I been a bit faster on my feet, I’d have said that every place is Sleepy Hollow.  But it was hot.) Afterwards, we retreated to a reception at the old Jesse Merwin house, which at one time belonged to the historic figure who actually was the inspiration for Ichabod Crane. All in all, a lovely weekend — and I even got to bring Barb with me.

I’ve got several events coming up in the next few months, which I’ll post under the News tab as well.  

First, I’ll be speaking at the University of Maryland — Jim Henson’s alma mater, for those of you playing at home — on Friday, September 12, as part of the university’s parent’s weekend.  I’ll be at the University Book Center at Stamp Union, starting at 6:30 p.m.

In October, I’ll be attending the James River Writers Conference down in Richmond, Virginia, for three days (October 17-19), and I’ll be giving my hour long Jim Henson show on Friday night, October 17, as part of the many kick-off events. If you’re anywhere near Richmond that weekend and love books . . . well, it’s something you’d probably wanna do.

In November, I’ll be back at the University of Maryland (in association with the Prince George’s County Historical Society) to talk Jim Henson on Sunday, November 2, from 2:30 to 4, at the Hornbake Library.

Finally, on Wednesday, November 5, I’ll be making my long-overdue appearance at the New York Public Library’s Mid-Manhattan Library, at 6:30 p.m. I’m very excited about this one, especially as the library and I went back and forth for a long time trying to find a date that worked.

Your Moment of Zen

DailyShowOnly a little more than two weeks ago, I received word from the publicity team at Random House that it was “extremely likely” that I would be booked for an appearance on The Daily Show with Jon Stewart to talk about Jim Henson. My chin hit the floor as David Moench, the publicist assigned to me at Random House, told me the news. I think I responded with something clever like, “Gwah?” “Congratulations,” David told me, “but don’t get too excited yet. Until we get official confirmation, things could change.”

Well sure. After the constant scheduling and rescheduling of the Today show, I wasn’t going to get my hopes up and get stung again (though I should add that the Today show will, indeed, now happen). But there was another problem, too: the date The Daily Show was setting aside was Thursday, October 10 — the same day I was scheduled to appear at the New York Society Library. That event was scheduled to get underway at 7 p.m. — and if things went as planned, I wouldn’t be getting out of The Daily Show until that same time. We went to the NYSL, hat in hand, to see if we could get the start time pushed back even 30 minutes, though the mechanics of getting me across town at that time of night were going to mean cutting things very, very close. Unfortunately, none of us could figure out how to get it to work, and Mark Bartlett and his staff at the NYSL were incredibly generous — and very understanding — and graciously offered to reschedule the NYSL event for another time.

On October 1, then, came the word we (meaning me and David and the publicity team at Random House) were waiting for: I had been officially confirmed. The seventy-five minutes between 5:45 and 7:00 p.m. were blocked off on my schedule on Thursday, October 10. And while it was still nine days away, that was nine days I had to be an anxious mess. And man, was I nervous.

On the afternoon of the 10th, then — a somewhat cool and overcast Thursday — my wife (Barb, thank goodness, came along as moral support) and I sat in the lobby of our New York hotel, while I nursed a beer and nervously bounced my knee up and down. The Daily Show takes good care of you from moment one, and a car came by the hotel to pick us up and whisk us away to their studios—one of those experiences where you’re excited at the idea of riding in an Actual Private Car — with a driver barking his estimated arrival time into a walkie talkie the entire way — but still vaguely embarassed that someone is holding a door open for you.

We were brought up to the back door — a blank door in a blank wall with no sign whatsoever of what was behind it — and met by Hillary, the producer for my segment, who escorted us down a little jog of a hall to an open door with a sign next to it that read BRIAN JAY JONES.  Nice.

Next to the sign was the Green Room — which is actually not green at all, but rather a cozy, living room-like space with stuffed chairs and a comfy sofa where guests wait until needed — and here I was met by my editor Ryan Doherty, and the ever-patient, ever-present David Moench. Barb and I sank onto the couch in front of a large, hi-def television on which The Daily Show logo was visible. I bounced my knee again as I sat down, though a bit slower now, and we all chatted about what a surreal experience this was until I was taken away for a bit to go to makeup (mostly to reduce the glare off my bald head) and fitted with a remote microphone.

And suddenly, poking his head into the Green Room, was Jon Stewart.

My wife — a big fan — pointed and gasped. “No WAY!” she finally said, and Stewart laughed that quick high-pitched giggle of his and said, “YES WAY!”  We all shook hands and he stood with his arms folded as we chatted briefly for a few minutes — he was particularly fascinated by Jim’s memorial service, which he had recently viewed on YouTube. Then he disappeared to get to work.

We all watched the show on the hi-def TV in the Green Room. There was no noise, no sounds, no indication that a TV show was being taped anywhere in the building; we could almost have been sitting in our own living room.

Shortly after the second segment concluded, Hillary stood in the doorway and said, “Ready to go?” Acting much less nervous than I actually was, I followed her through a maze of corridors, each one darker than the next, until I was  standing with a dark curtain to my right and looking at Jon Stewart at his desk about ten feet in front of me. The desk was on a platform about a foot off the ground, and I was  considering the various ways I could miss that step and face plant on national television when Hillary jolted me back to the present. “He’s getting ready to introduce you,” she said matter-of-factly, like you hear Jon Stewart say your name every day. “When I say, ‘Go!’ you go — and have fun out there.”

Suddenly, I heard Jon Stewart — Jon freaking Stewart! — saying my name, Hillary said, ‘Go!’ and out I went. The music played, the audience applauded, and I didn’t miss the step. Then I shook Jon Stewart’s hand and sat down. And just like that, I was on The Daily Show.  No rehearsals, no walk-throughs; it’s a finely-tuned, well-oiled machine, and you’re doing it in real time, one take. Wow.

It took me just a split second to get going — the best advice Hillary had given me in our pre-interview conversation was, “Don’t be afraid to talk, and don’t worry about stepping on Jon while he’s talking. He loves guests who talk.”  — and it took me just a moment to realize why Stewart is a great interviewer: he doesn’t really ask questions. Instead, he throws out comments or a bit of a conversation starter, and then lets you take things where you will.

Somehow, once we started talking, I wasn’t nervous — and it was over almost before I knew it.  And have you seen that moment just after the  interview where Stewart puts his head down near the desk and he and the guest have a brief bit of a conversation? It’s actually a very clever way of ensuring the guest doesn’t start to bail out of their seat before the camera cuts away. Instead, Jon Stewart leans in and stage whispers, “That was great, thanks so much — you did a great job” –and you lean in to listen, straining to hear, which keeps you in the chair until the fade out.  Very smart.

After shaking his hand again, I stood up, and was steered back to the Green Room by Hillary, where we all watched the final piece, a nod to a departing long-time producer. Then we all said our goodbyes, and went back to the waiting car to be whisked away again.  All told, it took about 75 minutes, just as promised. They’re really, really good at this, and I had a really, really good time.

And now, here I am on The Daily Show with Jon Stewart — a once-in-a-lifetime moment that I’ll never forget.