Tag Archives: Jim Henson

Arthur Novell (1936-2026)

Arthur Novell

I was sad to hear the news this week of the passing of Arthur Novell, who served as Jim Henson’s publicist for almost two decades. Arthur was not only a publicist, but a confidante and one of Jim’s reliable “fixers”–as many inside the organization warmly described him to me–who could be counted on to solve problems quickly and quietly. No matter what time of day it was, or where in the world Arthur might have been, he could almost always make things better with a phone call, taking care of the business of business and letting Jim Henson be Jim Henson.

After Jim’s death in 1990, Arthur was chosen by Jane Henson to serve as one of the founding board members of The Jim Henson Legacy on its establishment in 1992. That’s actually where he was when I first came to know him; he was serving as president of the Legacy when I approached the organization in 2008 to talk about a biography of Jim. He was genuinely warm and encouraging–and always so patient with me–and once I got the okay to proceed with the project around 2010, Arthur was one of the book’s biggest fans and cheerleaders.

There’s a good reason I called him the spiritual father of the biography; it wouldn’t have happened without his careful attention. I loved getting his e-mails dispensing guidance on how to approach performers, giving me his perspective on Jim’s career, or calling me “just to check in.” And there were times, I’m sure, when his hand on my shoulder–or his working behind the scenes on something I’m probably not even aware of to this day–made a real difference in my conversations with the Henson family, friends, and colleagues. With Arthur on your side, you were a made man.

After the book was published, Arthur and I stayed in touch, sometimes just a line or two in an e-mail. Any time I was in New York, I would try to have dinner–usually Chinese food–with him and his husband, Eddie, lingering for hours just so I could listen to the man tell stories, whether it was of his dancing on stage in New York as a young man, taking phone calls from Jim at 2 in the morning, or ushering around guests for Muppets Tonight. One of the last times we tried to get together, my train to New York was impossibly delayed and prevented us from having dinner. But Arthur texted me well into the evening and told me he was sorry we wouldn’t be able to see each other and that he missed talking with me.

That’s how he was.

Arthur was a lovely, lovely man, a true gentleman, and I’m forever grateful to him and even luckier to have known him. Godspeed, Arthur Novell; you were one of the good ones.

I’m a People Person

I don’t love the headline on it–and none of what’s in here will be news to anyone who’s read the bio–but still: People magazine picked up on a conversation I had last week on New York radio, where I was asked about Jim and Jane Henson’s relationship, along with a similar question about Dr. Seuss’s marriage to his wife, Helen. You can listen to the interview in its entirety here, as part of the radio show Nostalgia Tonight with Joe Sibilia. I talked with Joe not only about Jane Henson and Helen Palmer–and how important both women were in shaping the creative lives and professional careers of their spouses–but also the craft of writing both biographies, and the moments in their lives when Jim Henson and Dr. Seuss leaned into their trademark art forms.

Oh, and stick around and keep listening after my segment’s over, and you’ll also get good advice on estate planning from Mike Connors, who is not Mannix.

ETA: The same story is making the rounds with increasingly stupider spin, like this piece from The Globe, an absolute rag of a newspaper, which says breathlessly of information that was contained in the biography in 2013, “New details are emerging….” None of this is anywhere close to being new, you fetid trash mag.

Commencement Speaker Season

Oh, you lucky Terps.

Exciting news out of the University of Maryland the other day, as they announced their commencement speaker for the ceremonies for the Spring Class of 2025. Here’s the video–and they’re gonna make you wait until the end, of course, for the big reveal:

Yup, it’s Kermit the Frog, who, I suppose, could technically be said to be an alum of UMD, since he’s the creation of a graduate of the Class of 1960, Jim Henson. (Kermit’s attendance at the University of Maryland is not yet canon, you nerds.)

(I can’t help wondering, too, who’s gonna write the speech for Kermit to deliver. Commencement speeches are famously tough to get right, and my hat is off to whoever’s been assigned the task of writing this one. Heck, maybe they’ve been lucky enough to co-opt Muppet/Henson fan Brad Meltzer, who knows a thing or two about how to do these things.)

Believe it or not, in his lifetime, Jim Henson never delivered a commencement speech–not at the University of Maryland, not anywhere. He did receive an honorary Doctor of Fine Arts degree from his alma mater in 1978, and carefully instructed the university that he wanted his name to be printed as “Jim” and not “James,” which was on his 1960 diploma.

Here’s the page from the commencement program that year that featured Jim’s bio . . .

. . . and finally, here’s a fantastic picture of Jim Henson himself, all decked out in his mortarboard and robe to receive his honorary degree. Jim had been working in London on The Muppet Show almost right up to the last minute, and his assistant sent a telex to the Henson company’s New York offices with Jim’s hat size, so they could inform UMD. “Jim’s head measures 22 ½”, said the telex, “which our wardrobe says is about size 6 7/8.” They seem to have gotten everything right, because he looks terrific.

Almost Unreal Yet It’s Too Soon To Feel Yet

Sad word from Walt Disney World this morning as the reliable folks at ToughPigs report that Muppet*Vision 3D, and indeed the entire Muppets courtyard at Disney Hollywood Studios, will be closed down in 2025, to make way for a Monsters, Inc.-themed corner of the park.

And that’s a shame. Muppet*Vision 3D is one of the last projects to have a bit of Jim Henson’s DNA embedded in it, as it was (mostly) completed shortly before his death in May 1990, even as he was still negotiating the sale of his company to Disney. (In fact, as you can read in Jim Henson: The Biography, Jim and the Muppet crew were hard at work on the attraction without any kind of formalized agreement in place, beyond a handshake between Jim and Disney CEO Michael Eisner–a remarkable show of good faith that got bogged down in details such as Jim’s fee for directing the film for the attraction.) With Jim’s passing, and the deal with Disney ultimately scuttled, plans were abandoned for a Muppet-themed corner of the park, which would have included restaurants and a dark ride called “The Great Muppet Movie Ride”, a behind-the-scenes look at the making of classic movies in which all the information was wrong–a concept that made Jim Henson howl with laughter.

After finally acquiring the Muppets in the early 2000s, Disney kept promising it would take good care of the franchise in the park, but only half-heartedly tinkered with the area over the next two decades. Ultimately, it seemed Disney’s heart was never quite in it–and lacking a certified, gigantic, breakaway Muppets big screen hit, I’m disappointed, but not surprised that Disney has opted to hand a prime piece of park real estate over to a bigger franchise. That means packing up the Muppets and all their accoutrements, including the iconic Miss Piggy fountain at the center of the Muppets Pavilion.

What’s truly sad is that Jim Henson himself had such high hopes for the Muppets at Disney, a company he admired and trusted. “I really like the idea of my characters living on in the Disney parks,” he wrote. “It’s a wonderful future for these characters. It is as close to an eternal life as a little green frog can get.” He had big plans for the Muppets at Walt Disney World, and had loved working with the Disney Imagineers, who usually responded to his crazy ideas with when do you need it? and rarely with no.

Is all lost? Not quite yet. Disney also announced that it’ll be re-theming the fantastically fun, but lamely themed, Rock ‘n’ Rollercoaster Starring Aerosmith (which, let’s face it, was barely cool thematically when it opened in 1999). Based on the gorgeous concept art, it looks to be focusing on the Electric Mayhem, which makes sense and could be the set up for a seriously wacky experience. And as others have pointed out, the coaster also has its own dedicated merchandise shop as you step off of the ride, which would make a nice home for Muppet stuff in the park.

What else? There are also rumors that Disney is trying to find a home for Muppet*Vision 3D and the Miss Piggy Fountain (hey, how about giving the Muppet Theater a spot on Main Street? Its vaudevillian, old school vibe would be right at home….) Also, remember that quote up there just above: Jim Henson himself said that he liked the idea of his characters living on in the Disney theme parks. Under the new arrangement, the characters are still living on in the parks; we’ll just have to get used to seeing them some place different, trying something new. Which was pretty much one of Jim Henson’s mantras: try something new.

We’ll miss Muppet*Vision 3D, just as we miss what might’ve been in the Muppet pavilion. But we’re gonna try something new.

A Decade of Gratitude

I haven’t been at the desk much today, but I wanted to take a moment to note two things.

First, it’s Jim Henson’s 87th birthday. As I say every year, go celebrate by doing something silly. Jim Henson would want you to.

And second . . . it’s the tenth anniversary of the publication of Jim Henson: The Biography.

I’m can’t begin to tell you how grateful I am to all of you who have enjoyed, and continue to enjoy, reading the biography. I love hearing from readers who were moved or inspired by Jim’s story–and while I so appreciate the kind words, I’m just the messenger, man! It’s Jim who moved and inspired you. I think he’d love knowing that, 33 years after his death, new generations of creatives, weirdos, lovers, and dreamers have found him and love him not only for his enormous output of amazing work, but for the person he was and aspired to be.

A decade after publication of the biography, I’m constantly inspired by all of YOU, too–whether you’re fans, performers, writers, artists, musicians, puppetmakers, or just want to razz me about the word “Muppeteer” . . . know that I love ALL of you. The Muppet family is the BEST, and I’m so proud to be a part of the Muppet fan community, which, generally speaking, is one of the most positive around.

I’m also enormously grateful to the entire Muppet and Henson organization, who let me into their homes, and their hearts, to tell Jim Henson’s story. It’s a privilege to be a part of the Amphibian Alumni, no matter how peripheral, and I’m privileged (there’s that word again) to still be in touch with many of you fine folks today. Thanks for letting me in. And sometimes even feeding me.

Anyway, I’m fairly certain that the first words of my obituary will be, “Jim Henson biographer Brian Jay Jones . . .” And really, I am just SO okay with and proud of that.

Thank you again, all of you, for reading Jim’s biography, and learning, laughing, and crying along with it. I’m grateful to all of you for reading. And I wanted you to know that.

Celebrating The Rainbow Connection

Behind the scenes of the making of an iconic moment in The Muppet Movie.

It’s a great privilege to be in this NPR piece on “The Rainbow Connection,” celebrating its recent preservation by the Library of Congress as a “culturally significant” recording. You’ll hear me alongside Cheryl Henson, songwriter Paul Williams, the amazing Frank Oz, and Muppet performer Matt Vogel doing the voice of Kermit.

Oh, and we were NOT all in the same room together. I wish. I recorded my part at a local NPR affiliate here in Albuquerque — and fun fact: I had to do it TWICE. The first time, a power problem covered the entire recording with a loud buzzing, so I had to go back downtown and be interviewed AGAIN.

But it all came out all right. As you can tell if you listen.

A Muppet Show Social Justice Top Ten

Rob’t and I yuk it up, as always, on his show, The Social Justice Power Hour.

With all five seasons of The Muppet Show arriving on Disney+ on February 19, it seemed as good a time as any to rejoin my pal Rob’t Seda-Schreiber with the Bayard Rustin Center for Social Justice on their Social Justice Power Hour and rank the Top 10 Muppet Show Social Justice Moments. If you’re a fan of The Muppet Show, you might even be able to guess the top moment–but I hope we surprised you with a few others.

Anyway, I hope you’ll give it a watch and have some fun. Rob’t is a great host, and a good straight man, and I always love doing the show with him.

Jim and Washington

Both are watching you.

Take a (Virtual) Walk with Me Through the Jim Henson Exhibition

Having the City of Albuqerque, the State of New Mexico, and pretty much the entire planet on lockdown due to the COVID-19 pandemic meant that the traveling Jim Henson Exhibition: Imagination Unlimited—currently in residence here at the Albuquerque Museum—would be pretty much impossible to see for the remaining weeks and months of its time here in the Duke City. Fortunately, the Museum is making a virtual narrative tour available to view online—and they asked a certain local biographer to serve as your host and tour guide.

A bit of a peek behind the scenes: I was absolutely thrilled to be asked by the Museum to lend a hand with the virtual tour. With everything still on lockdown, I spent about an hour one afternoon making a quick walk through the exhibit with Denise Crouse, the museum’s communications manager, to get a good handle on the featured pieces, and to figure out where to stand for each segment. We were also curious whether the sound could be turned off—there are countless videos playing in the exhibit, which meant I couldn’t stand in certain places without sound ‘bleeding in’ from video screens around the room. (Fortunately, on the day the cameras rolled, all audio tracks were muted.)

On the day of filming, the cameraman showed up masked so he could mic me, then—keeping a responsible 6 to 8 feet apart at all times—we shot these segments on the fly, using no notes—and, with one exception, doing it all in one take (the one exception was the segment on television and Sam & Friends, which I had talked through MUCH too rapidly the first time). The goal was to get it done as quickly and as well as we could, then get out—and we definitely did that, finishing everything up in about 75 minutes.

Despite a few ‘uhs’ and some garbled phrases (‘Sesame Street’ came out particularly messy at one point), I’m happy with the final result—and truly proud to have been asked to do it.

Cabin Fever? Catch Me Talking Jim Henson with Tough Pigs

Stuck inside and looking for a break from your latest binge watch? The fine folks at Tough Pigs have got you covered with their new twice-a-week series “Cabin Fever,” where they interview folks from all over the Jim Henson/Muppet world. I was pretty thrilled to be asked to serve as one of their first guests — so here I am, with Joe and Ryan from Tough Pigs, coming to you live from my office in New Mexico. (Don’t be too impressed with my attire–I had on shorts with it…)