Coming Soon: Jim Henson: Idea Man

Well, there you go. The Ron Howard helmed documentary we’ve been waiting for since . . . what, 2022? finally arrives on Disney+ on May 31, and it’s got a title: Jim Henson: Idea Man. Vanity Fair has a pretty good sneak preview you can see here, and I’m hoping we’ll get a video trailer sometime here soon.

And for those who have kindly asked: no, I had no involvement in this project, apart from clearing a smidge of audio for their use (it’s not me talking, but the voice of someone I interviewed, so you’ll get to hear their voice in the documentary, which I love. I’m just hoping they can use some of the newfangled Peter Jackson audio wizardry that they used in Get Back to clear it up a bit). Anyway, this will be as shiny and new and exciting to me as it is to you, which, as a fan, is a great feeling. May 31 can’t get here fast enough.

Talking Jim Henson at Our American Stories

It was a delight to sit down with Madisyn at the Our American Stories podcast to talk Jim Henson, the joy of performing, the benefit of time, and how two Muppets doing terrible things to each other sold an awful lot of Wilkins Coffee. Added bonus: Good grief! The comedian’s a bear!

You can listen here.

A Decade of Gratitude

I haven’t been at the desk much today, but I wanted to take a moment to note two things.

First, it’s Jim Henson’s 87th birthday. As I say every year, go celebrate by doing something silly. Jim Henson would want you to.

And second . . . it’s the tenth anniversary of the publication of Jim Henson: The Biography.

I’m can’t begin to tell you how grateful I am to all of you who have enjoyed, and continue to enjoy, reading the biography. I love hearing from readers who were moved or inspired by Jim’s story–and while I so appreciate the kind words, I’m just the messenger, man! It’s Jim who moved and inspired you. I think he’d love knowing that, 33 years after his death, new generations of creatives, weirdos, lovers, and dreamers have found him and love him not only for his enormous output of amazing work, but for the person he was and aspired to be.

A decade after publication of the biography, I’m constantly inspired by all of YOU, too–whether you’re fans, performers, writers, artists, musicians, puppetmakers, or just want to razz me about the word “Muppeteer” . . . know that I love ALL of you. The Muppet family is the BEST, and I’m so proud to be a part of the Muppet fan community, which, generally speaking, is one of the most positive around.

I’m also enormously grateful to the entire Muppet and Henson organization, who let me into their homes, and their hearts, to tell Jim Henson’s story. It’s a privilege to be a part of the Amphibian Alumni, no matter how peripheral, and I’m privileged (there’s that word again) to still be in touch with many of you fine folks today. Thanks for letting me in. And sometimes even feeding me.

Anyway, I’m fairly certain that the first words of my obituary will be, “Jim Henson biographer Brian Jay Jones . . .” And really, I am just SO okay with and proud of that.

Thank you again, all of you, for reading Jim’s biography, and learning, laughing, and crying along with it. I’m grateful to all of you for reading. And I wanted you to know that.

Movin’ Right Along with Tough Pigs

As always, it’s a blast to hang out with the folks at Tough Pigs, and I’m always genuinely delighted when they ask me do A Thing with them. This time, I’m lending a hand talking with Anthony and Ryan about two of the saddest minutes from The Muppet Christmas Carol, minutes 71 and 72, as the Cratchits mourn the loss of Tiny Tim. We’ll talk about Miss Piggy’s acting abilities, debate why Scrooge can’t or won’t enter the Cratchit home, and try to figure out IF TINY TIM IS REALLY DEAD.

Click here to have a listen.

Talking Seuss with American Stories

To mark Dr. Seuss’s 119th birthday, I sat down with the kind folks — in this case Madisyn — at the Our American Stories podcast to trace the arc of Seuss’s life and work. If you’re so inclined, here’s about 30 minutes of me enthusing about Seuss — and Frank Capra and Chuck Jones and Bennett Cerf and so many others — and his astounding work and work ethic. I also seem to be doing a spot on Reuben Kincaid impression.

Icons Unearthed, Marcia Lucas, and Me

I’m so glad to see Marcia Lucas — wife of George, and the Oscar-winning, ace editor who put together the original Star Wars trilogy–finally going on the record about her life and experiences for Vice’s Icons Unearthed docuseries. (I tried like heck for three years to get her to talk with me, and never cracked it.)

There’s a reason everyone refers to her as the heart of Star Wars, as well as George Lucas’s secret weapon. Apart from being a terrific editor, Marcia had an uncanny ability to see any film they were working on from the point of view of an audience. That sounds like it should be obvious, but it’s actually an often overlooked superpower of seeing the forest for the trees.

It was Marcia, for example, who, during the trench run sequence in Star Wars, used recycled footage to insert the ‘ticking clock’ of the Death Star moving into position to destroy the rebel base. It was a plot point that was NOT in the original script, but Marcia understood it made the stakes much higher–and therefore that much more exciting for the audience. She also told George Lucas, just before the film’s first showing to a real audience (SPOILER, I GUESS): “If the crowd doesn’t cheer when the Millennium Falcon comes back at the end, the film doesn’t work.” And boy, was she right (and yes, the audience cheered).

It was also Marcia who, after watching the first cut of Raiders of the Lost Ark, pointed out that the audience needed to see Indy with Marion again after their experience with the Ark–and Steven Spielberg, realizing she was right, brought Harrison Ford and Karen Allen back to film the two of them together on the steps of the local courthouse, giving the audience a sigh of relief and a bit of closure.

Anyway, we’re long overdue to hear her story in her words (I did the best I could to get her voice into George Lucas: A Life, but there’s nothing like the real thing). You can find this five-part docuseries on the VICE channel. I watched it using Sling, but as they say, YMMV.

Oh yeah — while I’m not in this particular episode, you’ll see plenty of footage of me running my mouth as the series progresses. Hang in to the end, and you may even see me doing my impression of the infamous Darth Vader “NOOOOOOOOOOO!” Maybe.

Talking Muppets with the Great Gonzo

Well, not quite; I actually had the privilege of appearing with legendary Muppet performer Dave Goelz as we talked on San Francisco NPR with Heidi Rabben, curator at the Contemporary Jewish Museum, which is hosting the Jim Henson: Imagination Unlimited touring exhibit. Stick around for the entire conversation, and you’ll hear Dave Goelz absolutely make a young Muppet fan’s year.

You can hear our discussion in its entirety here. It runs about 51 minutes.

Talking the 1980s Top Ten

This is a fun one: I’ll be one of several cultural historians providing commentary for the Nat Geo docuseries, The ’80s: Top Ten, which is now available to stream in all six parts on Disney+. It was a genuine thrill to be asked to participate in this series, and I’m humbled to appear alongside folks like Rob Lowe, Kevin Smith, Ridley Scott, Tony Hawk, and tons of others.

While I’m not sure exactly what you’ll get to hear me talk about — I spent several hours on camera last December talking about a lot of stuff — I’ve had a peek at the first episode and I was beyond delighted to see that I got the final word on the last episode of M*A*S*H, one of my favorite television shows pretty much ever.

The Greening of the Grinch

Quick! Pencils up, everyone, for a quick one question Christmas Pop Quiz.

Ready?

What color is The Grinch in Dr. Seuss’s 1957 classic How the Grinch Stole Christmas!?

Did you say green?

You’re wrong.

Confused? Let me explain.

Let’s start by looking at the secret origin of the Grinch–at least in print–and trace the trajectory of his color.

Seuss first coined the word “Grinch” in his 1953 book Scrambled Eggs Super! as one of the birds having its eggs pilfered for use in the title food. That’s him over there at the right.

Here it was called a “Beagle-Beaked Bald Headed Grinch,” and it looked like a paunchy bird with a perpetual scowl. It wasn’t really what we think of as the Grinch, but this is the first time Seuss ever used the word in print.

And as you can see, he’s also yellow.

A character closer to the Grinch as we know him made his first appearance in a 1955 issue of Redbook magazine, in which Seuss published a 32-line poem called “The Hoobub and the Grinch.”

Here he’s a catlike snake-oil salesman, selling a short length of string to a sunbathing Hoobub who has absolutely no use for it. It’s a slick personality somewhat closer to the Grinch we know and love, though Seuss still hasn’t quite stuck the landing.

Oh, and one more thing: this Grinch is colorless.

Two years later, the Grinch would show up again in the pages of Redbook, this time in the December 1957 issue, which printed How the Grinch Stole Christmas! in its entirety, more than a month before the book was published. If you’re a collector, *this* is FIRST APP. GRINCH.

The Redbook printing *is* in color, though the Grinch himself is usually blended into the background, making it difficult to get a bead on exactly what color *he* might be. Take a look:

Now, here’s where it gets interesting.

When How the Grinch Stole Christmas! was published in December 1957, it used shades of only one color. This was actually typical of most Seuss books, which relied on variations of a single color to create highlights and points of interest.

What was the color used in Grinch, then?

That’s right: red.

Yup. Throughout the book, Seuss uses shades of red for the Grinch’s Santa suit, Christmas decorations, the sled, and even the Grinch’s eyes.

But the Grinch himself?

Still colorless.

Dr. Seuss and Chuck Jones

Fast forward now to 1966, when Seuss was approached by an old friend, animator and director Chuck Jones, with whom Seuss had worked eyeball-to-eyeball producing the Private Snafu animated training films during WWII. Jones, who went on to direct pretty much every Looney Tunes cartoon you know and love, had just been given his walking papers by Warner Bros., and was looking for new projects. After some discussion, Jones convinced Seuss to let him bring an animated Grinch to television in time for Christmas 1966.

For months, Jones would rent a car and drive from Los Angeles to La Jolla to meet with Seuss at his home. One of the first issues that needed to be resolved was the physicality of the Grinch — how to bring the image off the page and determine how he walked, or smiled, or frowned on the TV screen.

The other pressing issue: What color was the Grinch?

After much discussion and some disagreement, the two finally agreed on the color of the Grinch. It was the color of every rental car Chuck Jones had driven in the summer of 1966, as he made his trips to visit Dr. Seuss in La Jolla.

Green.

With that decision made, the Grinch has been green since 1966 — translated that way across every medium, from animation to live action.

Today, if you’re asked what color the Grinch is . . . naturally, you’re gonna answer “green” — and you’d be right.

But he didn’t start out that way — and as you carve your Christmas roast beast, you can thank Chuck Jones’s rental car for our beloved green Grinch.

Talking Shop on CRAFT

Coming up on Monday, I’ll be sitting down with the brilliant Denise Kiernan on her CRAFT: Authors in Conversation podcast, where we’ll talk over (virtual) cocktails about research, writing, and the general dark art of telling stories through histories and biography. Drinking may also be discussed. 

The fun begins on Monday, October 25, at 5 p.m. PT/8 p.m. ET. Tune in! It’ll be good! We promise.