Tag Archives: Dr. Seuss

Dr. Seuss writ large

My editor was kind enough to send a few of copies of the large print edition of Becoming Dr. Seuss my way. It’s got a cover layout and design that’s completely different than the trade edition, but it’s a really beautiful book, don’t you think?

The Reviews Are In

As of today, Becoming Dr. Seuss has been out for exactly eight weeks — and I couldn’t be happier with its reception. The reviews have been good — some of the best I’ve ever received, in fact — feedback from readers has been kind, and I’ve had the opportunity to talk about the life and work of Dr. Seuss on television, radio, and countless podcasts.

Here’s but a few:

First, here’s my appearance on MSNBC’s Morning Joe. I taped this as a live remote from the WRC-TV studios in Washington, DC — the very same studios a University of Maryland student named Jim Henson would drive to every weeknight in the late 1950s to perform Sam and Friends before the cameras.

The Green Room at WRC-TV (NBC) in Washington, DC.

I was taken from the Green Room to a darkened studio where an earpiece was put in my right ear and I was asked to look into a camera, directly above a point where someone had helpfully stuck a Post-It note with an arrow drawn on it. I could hear the show live in my ear — and while there was a monitor on the floor to my left, I couldn’t watch unless I wanted to be seen on-camera looking down at the monitor. So I could hear the show without actually seeing anyone, which was a bit disorienting. But it was a good segment, with questions from everyone on the panel.

In radio, here are interviews I did with WMAL in Washington, DC, WNYC in New York, KPBS in San Diego, KSCJ in Iowa, KJZZ in Phoenix, and WAMC/Northeast Public Radio, as well as extended interviews with the Innovation Hub and with Connecticut Public Radio, where I talked about Dr. Seuss’s New England roots.

In print, the book has been reviewed at NPR, in the Christian Science Monitor, the A.V. Club, the New York Post, and — a thrill for me — The New Yorker.

Triple Crown

There are three major newspapers in which we tellers of tales and spinners of yarns–whether those yarns or tales are fiction or non-fiction–love to see our work reviewed: The New York Times, The Washington Post, and The Wall Street Journal. What makes these three the trifecta? Mostly its because they each have large circulations that extend well-beyond their home markets–they end up in front of lots of readers, reading the papers in hotels and airports or on iPhones and laptops. They’re also papers with different audiences and different, often distinctive, points of view.

I’m thrilled, then, that Becoming Dr. Seuss has run the Triple Crown–and seems to have emerged out the other side in good shape. If you’re so inclined, you can click here to read the review in The Wall Street Journal (under the headline, “‘Becoming Dr. Seuss’: Who Killed Dick and Jane?”, which I think Dr. Seuss would have loved). Because WSJ is behind a subscription paywall–and therefore you may not be able to read the entire thing–here’s a quick peek:

“A fluid and enjoyable new biography . . . Brian Jay Jones takes a long appraising view of the life, career and creative evolution of Theodor Seuss Geisel . . . In this lively chronicle, Mr. Jones tackles the controversial elements of the Seussian oeuvre in a forthright way, setting them in the context of both the times and his subject’s own life.”

Next, here’s the review from the Washington Post, “a look at the prankster workaholic behind the iconic characters.”

And here in the New York Times is what might be one of my favorite reviews of anything I’ve written ever, “‘The Cat in the Hat’ and the Man Who Made That,” written by the brilliant author and essayist Adam Gopnick.

Finally, I want to thank all of you, who have been so enthusiastic about Becoming Dr. Seuss. I appreciate all of you.

Behind the Cat in the Hat (and even the Grinch!)

If you can’t wait until Tuesday to get your hands on Becoming Dr. Seuss, Entertainment Weekly is running an exclusive excerpt, covering the agony and the ecstasy of writing The Cat in the Hat. And there’s even a cameo appearance by everyone’s favorite Grinch. Click here to read it.

Becoming Dr. Seuss in New York, Boston

We’re nearly a week away from the publication of Becoming Dr. Seuss–and I continue to be thrilled with the various places I’m seeing it mentioned. Several days ago, it showed up in Boston Magazine as one of Seven Can’t-Miss Events in Boston in May 2019. Given that Dr. Seuss is a Massachusetts native, I’m pretty pleased to get a shout-out from his home state. Thanks, guys

Over the weekend, the New York Post ran a long piece on Dr. Seuss himself, called “How Dr. Seuss Found the Juice for His Most Beloved Stories,” in which they were kind enough to call the book “wonderful.” Again, thanks, folks.

Oh, the Places I’ll Go!

The fine folks at Dutton books are very kindly sending me on a short book tour the week Becoming Dr. Seuss is published — and they’ve also just as kindly put all the information right here in this colorful card. Are you nearby on any of these dates? If so, swing by, hear me talk a bit about Dr. Seuss, and say hey!

Making of an Audiobook (ah-dee-oh-book)

I can finally answer the question Will Becoming Dr. Seuss be available on audiobook? with an emphatic yes. The team at Random House are hard at work to bring the book to audible life for you by May 7. And no, as the author, I do NOT read the book. Trust me, you don’t want that. Instead, that job goes to the hyper-talented Mike Chamberlain, whose voice I love for this book.

What I do get to do as the author, however, is sort through an enormous spreadsheet filled with the names of people, places, animals, and things, and write out–as best I can–phonetic pronunciations for each that can then be referenced by Mike as he’s recording. For the most part, it’s the names of real people (such as Mike Frith, Roy McKie, or Walter Retan) whose names we want to pronounce correctly (or, at least, make a good faith effort to do so) or places with foreign or just-plain-unusual names like Maastricht, Bastogne, or Agawam, Massachusetts. I send a lot of e-mails verifying the pronunciation of names, and I also rely on the audiobook producer to verify some of the foreign words (while I suffered through one semester of German in college, I wouldn’t presume to try to definitively pronounce Schutzenverein).

However, as you can imagine, when it comes to a subject like Dr. Seuss, the book is also filled with lots of made-up names and distinctly Seussian words that every reader might pronounce differently when reading it aloud. A word like Lorax is one thing; but even something like his dear Truffula Trees might be pronounced differently from reader to reader. I tend to say it as “TRUFF-uh-lah.” Others I know know say “truff-YEW-luh.”

What to do then? In this case, I referred to the 1972 animated special–produced during Dr. Seuss’ lifetime, with his involvement–where the pronunciation is . . . TRUFF-yew-luh. We were both close.

Still, in lots of other cases, it’s not so clear. What do you do, for example, with words like:

  • Dingleblader
  • Heumkia
  • Bvorlyjk
  • Mnpf
  • Grimalkin, Drouberhannus, Knalbner, and Fepp

These haven’t exactly entered the vernacular in the same way that, say, Sneetches or Grinch has. In these instances . . . well, I think any pronunciation you hear in your head when you read it is probably right. But for the audiobook, we had to make our best guess.

So if you’re one of the devoted audiobook readers of Becoming Dr. Seuss and one of the Seussian words doesn’t sound quite right to you . . . take comfort in knowing that our pronunciation is right. And so is yours.

PW Says BDS is A-OK

Reviews for Becoming Dr. Seuss are continuing to roll in; the latest comes from the Old Gray Lady of book reviewers, Publishers Weekly.

I’ve never done particularly well in Publishers Weekly. Not that they’ve torpedoed me necessarily, but the best I usually get is a shruggish “eh.” And that’s why I’m delighted with their review for Becoming Dr. Seuss, which is perhaps the most effusive they’ve ever been about anything I’ve written:

Biographer Jones (George Lucas) delivers a comprehensive and thoughtful look at famed children’s author Theodor Geisel (1904–1991) . . . Jones does not ignore problems in Geisel’s early work, including some racial stereotypes. He also gives full credit to Geisel’s first wife, Helen, as a guiding hand for some of Geisel’s best-loved books. While acknowledging Geisel’s flaws and debts to others, Jones convincingly shows him as a transformative figure in children’s publishing, both as author and cofounder of the Beginner Books imprint. Fans of Dr. Seuss will find much to love in this candid but admiring portrait.

The full review is here. And boy, believe me: I appreciate it.

A Star-Bellied Kirkus

One of the first reviews for Becoming Dr. Seuss is in, and it’s from the always-respected and often-feared Kirkus Reviews, the book reviewer with the Seussian-sounding name. And I’m absolutely thrilled they gave Becoming Dr. Seuss one of their highly-coveted starred reviews.

Here’s a bit of that review, which appears in its entirety in the March 15 issue of Kirkus Reviews:

“A rich, anecdotal biography of one of the bestselling authors in publishing history. Theodor Seuss Geisel (1904-1991), aka Dr. Seuss, created more than 60 books, classified mostly as readers for children. However, as Jones (George Lucas: A Life, 2016, etc.) points out in this engaging, page-turning work of Seuss scholarship, Geisel was writing and illustrating for children and adults simultaneously . . . Used to being perceived as a funny guy, Geisel evolved into a serious thinker about how to develop books that would encourage children to read while also enjoying the learning process. Jones is particularly masterful in this vein, showing how Geisel and other key collaborators collectively revolutionized reading education, with Dr. Seuss always reserving the final say . . . Though the narrative is strictly chronological, it never bogs down because the character sketches and publishing anecdotes are so well-rendered, and Jones is especially skillful with foreshadowing. Although sometimes exasperating to work with because of his exacting standards, Geisel comes across as a mostly kind, well-intentioned person. Whether readers are familiar with Dr. Seuss books or not, they will find this biography absorbing and fascinating.”

Becoming Dr. Seuss comes your way on May 7. If you’re so inclined, you can pre-order from any of your favorite booksellers. And I thank you.

Happy Birthday, Dr. Seuss!

I was born one merry morn
Under the sign of Capricorn.
(I wasn’t really, but it rhymes.)

— Dr. Seuss, Notes on his abandoned Non-Autobiography

Happy 115th birthday to Dr. Seuss, born Theodor Seuss Geisel on this date in Springfield, Massachusetts in 1904. (That makes him officially a Pisces.) I love photos of writers and artists at their desks, so here are a few of Ted Geisel doing his thing at his desk, and in his office, throughout his lengthy career.

It’s no coincidence that today is also National Read Across America Day. Read something. And when you’re done, create something. Dr. Seuss would want you to.