At the beginning of December, after spending nearly fifteen years living in a little town in Maryland — we had taken care of our main task, namely ensuring that our daughter got out into the world safely and successfully — Barb and I sold our old farmhouse in Damascus and moved about 80 miles south to Fredericksburg, Virginia. As you can imagine, packing up fifteen years worth of stuff required digging through every nook and cranny and drawer and box. Lots of stuff got thrown out — user manuals, old atlases, plenty of random cables that didn’t connect to anything any more — as we made our best effort to simplify and downsize.
That can be tough work for me — I’m notoriously sentimental about things, and I’ve been known to hold onto receipts, guidebooks or business cards for decades. But I vowed to try my best to carefully sort through the countless boxes, bins and files in my office and throw out anything I thought might be considered clutter. And I did pretty well, too — or so I thought. Imagine my surprise, then, when my wife — who is famously non-sentimental about things — looked at my pile of stuff to go into the trash and said, “Don’t you think you might want to keep that?”
She reached into the pile and pulled out this:

It was the pile of assorted drafts for Jim Henson: The Biography, going all the way back to my first handwritten notes and outlines from early 2010. It wasn’t everything, but it was some of the earlier versions I’d written, printed out, proofed, then filed away as I moved on to the next draft. I was trying hard to be remarkably stoic about them, but when Barb pulled them out of my pile, I have to admit it I very eagerly put them into a banker’s box, on the side of which I scrawled JIM HENSON in fat black Sharpie.
As a bookend to the story, while unpacking in Fredericksburg, I opened a small wooden box — one I hadn’t actually looked in while packing, and had instead just thrown it into a larger box with some other stuff — and discovered another little bit of buried treasure:

Much of this predates those early drafts shown above, as this is actually the proposal for the Jim Henson biography, which I was calling at that time, Ridiculous Optimism: The Life of Jim Henson (a title I still like a lot, but I totally understand the need to give it the shorter, clearer title under which it was eventually published). You can see at the top corner I’ve written “March 2010 — Proposal and Chapters Pitched.” The sample chapters, in case you’re interested, were eventually massaged into the much more greatly expanded first two chapters of Jim Henson.
Now flash forward three years or so, and you’ll arrive at the roughly bound book sitting on top of the proposal: the first reading copy of Jim Henson, containing the first round of edits from Ryan Doherty, my editor at Ballantine. This version still had to go through another round of editing and a legal read, and there’s not a single photograph — we were still working through photo clearances with Disney. All of this, too, went into that same banker’s box with the early drafts, with Belloq’s admonition from Raiders of the Lost Ark ringing in my ears: “Who knows? In a thousand years, even you may be worth something.”
Back in 1978, when playing with our Star Wars action figures, even boys never seemed to complain if they had to ‘be’ Princess Leia when we played out our homemade Star Wars adventures. And that’s because Carrie Fisher’s Princess Leia was such a spunky, smart-mouthed, tough-talking badass — much like Carrie Fisher was in real life.
We were fans almost immediately, and we followed her wherever she went, whether she was corralling Munchkins alongside Chevy Chase in Under the Rainbow, harassing John Belushi’s Joliet Jake in The Blues Brothers, or, later, offering sage advice to Meg Ryan’s Sally in When Harry Met Sally.

But Fisher was more than an actress. She was a talented script doctor (she did uncredited work on movies like Hook and Sister Act) and a really terrific — and terrifically funny — writer. She also struggled for years with addiction and depression, and very publicly discussed those battles in hopes of de-stigmatizing them for others. Her novel Postcards From the Edge was both funny and personal, a thinly-fictionalized account of her own struggles with addiction, mental illness, and her lovingly complicated relationship with her mother, Debbie Reynolds.
One of the really great joys of being the biographer of Jim Henson was having the opportunity to know the legion of devoted Jim Henson/Muppet fans. And it’s exactly the same way with George Lucas. Whether it’s discussing the prequels, arguing whether Han shot first, exploring Lucas’s influences, or debating the merits of CGI, George Lucas has one of the most active, vocal — and, frankly, fun — fanbases. It’s been a true pleasure appearing on so many podcasts and having the chance to converse with so many well-informed fans on pretty much everything.
rge Lucas: A Life finally comes out this Tuesday — and I can’t wait for this one to get into your hands and hear what you think. So far, those who’ve had an early look at it seem to like it. Kirkus Reviews — as reported 





