Category Archives: Christmas

Movin’ Right Along with Tough Pigs

As always, it’s a blast to hang out with the folks at Tough Pigs, and I’m always genuinely delighted when they ask me do A Thing with them. This time, I’m lending a hand talking with Anthony and Ryan about two of the saddest minutes from The Muppet Christmas Carol, minutes 71 and 72, as the Cratchits mourn the loss of Tiny Tim. We’ll talk about Miss Piggy’s acting abilities, debate why Scrooge can’t or won’t enter the Cratchit home, and try to figure out IF TINY TIM IS REALLY DEAD.

Click here to have a listen.

The Greening of the Grinch

Quick! Pencils up, everyone, for a quick one question Christmas Pop Quiz.

Ready?

What color is The Grinch in Dr. Seuss’s 1957 classic How the Grinch Stole Christmas!?

Did you say green?

You’re wrong.

Confused? Let me explain.

Let’s start by looking at the secret origin of the Grinch–at least in print–and trace the trajectory of his color.

Seuss first coined the word “Grinch” in his 1953 book Scrambled Eggs Super! as one of the birds having its eggs pilfered for use in the title food. That’s him over there at the right.

Here it was called a “Beagle-Beaked Bald Headed Grinch,” and it looked like a paunchy bird with a perpetual scowl. It wasn’t really what we think of as the Grinch, but this is the first time Seuss ever used the word in print.

And as you can see, he’s also yellow.

A character closer to the Grinch as we know him made his first appearance in a 1955 issue of Redbook magazine, in which Seuss published a 32-line poem called “The Hoobub and the Grinch.”

Here he’s a catlike snake-oil salesman, selling a short length of string to a sunbathing Hoobub who has absolutely no use for it. It’s a slick personality somewhat closer to the Grinch we know and love, though Seuss still hasn’t quite stuck the landing.

Oh, and one more thing: this Grinch is colorless.

Two years later, the Grinch would show up again in the pages of Redbook, this time in the December 1957 issue, which printed How the Grinch Stole Christmas! in its entirety, more than a month before the book was published. If you’re a collector, *this* is FIRST APP. GRINCH.

The Redbook printing *is* in color, though the Grinch himself is usually blended into the background, making it difficult to get a bead on exactly what color *he* might be. Take a look:

Now, here’s where it gets interesting.

When How the Grinch Stole Christmas! was published in December 1957, it used shades of only one color. This was actually typical of most Seuss books, which relied on variations of a single color to create highlights and points of interest.

What was the color used in Grinch, then?

That’s right: red.

Yup. Throughout the book, Seuss uses shades of red for the Grinch’s Santa suit, Christmas decorations, the sled, and even the Grinch’s eyes.

But the Grinch himself?

Still colorless.

Dr. Seuss and Chuck Jones

Fast forward now to 1966, when Seuss was approached by an old friend, animator and director Chuck Jones, with whom Seuss had worked eyeball-to-eyeball producing the Private Snafu animated training films during WWII. Jones, who went on to direct pretty much every Looney Tunes cartoon you know and love, had just been given his walking papers by Warner Bros., and was looking for new projects. After some discussion, Jones convinced Seuss to let him bring an animated Grinch to television in time for Christmas 1966.

For months, Jones would rent a car and drive from Los Angeles to La Jolla to meet with Seuss at his home. One of the first issues that needed to be resolved was the physicality of the Grinch — how to bring the image off the page and determine how he walked, or smiled, or frowned on the TV screen.

The other pressing issue: What color was the Grinch?

After much discussion and some disagreement, the two finally agreed on the color of the Grinch. It was the color of every rental car Chuck Jones had driven in the summer of 1966, as he made his trips to visit Dr. Seuss in La Jolla.

Green.

With that decision made, the Grinch has been green since 1966 — translated that way across every medium, from animation to live action.

Today, if you’re asked what color the Grinch is . . . naturally, you’re gonna answer “green” — and you’d be right.

But he didn’t start out that way — and as you carve your Christmas roast beast, you can thank Chuck Jones’s rental car for our beloved green Grinch.

It’s Emmet Otter Day!

On this date in 1977, Emmet Otter’s Jug-Band Christmas debuted on the Canadian TV channel CDC (it would make its US debut in December 1978 on a small cable channel called HBO). 

For Emmet’s birthday, then, here are nearly six minutes of outtakes, featuring the brilliant team of Frank Oz and Jerry Nelson as Ma and Emmet, respectively, in a scene directed by the very patient (and persistent) Jim Henson.

The name of the game here was the get the drum to roll out the door, hit a milk can, then rattle and spin like a coin before coming to a stop. After the first, untaped rehearsal — where it worked perfectly — it never happened that way again.

Be prepared to laugh uproariously.

Stille Nacht

And Laying His Finger Aside of His Nose…

“And the sage Oloffe dreamed a dream–and lo, the good St. Nicholas came riding over the tops of the trees, in that self-same wagon wherein he brings yearly presents to children, and he descended hard by where the heroes of Communipaw had made their late repast. And he lit his pipe by the fire, and sat himself down and smoked . . . And when St. Nicholas had smoked his pipe, he twisted it in his hat-band, and laying his finger beside his nose, gave the astonished Van Kortlandt a very signifcant look, then mounting his wagon, he returned over the tree-tops and disappeared.”

– Washington Irving
A History of New York (1812 edition)
Book II, Chapter V

 

Odds and Ends

It’s funny, when I started this blog several years ago, I was fairly good about updating and posting — on a good week, I might post three times, sometimes daily.  At the time I was doing the political job by day, while promoting Washington Irving and working behind the scenes on Jim Henson. And I thought, “Man, if I ever get to the point where I can stay home and write full time, I can blog daily! I’ll be a blogging machine!”

Yeah.  Well.  Not so much, sorry.  But I think you’ll thank me in the end, since it means I’m devoting more of my writing time to my current project than to the blog.  Still, that’s not to say there isn’t plenty else going on.  Like for instance:

–  Early registration is already open for the second annual Biographers International Organization (BIO) conference, which will take place in Washington, DC on May 21, 2011.  Home base for the event will be the National Press Club, but conference sessions will also be held at the National Archives and the Library of Congress.  More information — including a tentative list of panels — is available at the BIO website, by clicking here.

– Barb and I attended an absolutely spectacular lecture at the Smithsonian the other night, where we got to listen to Bob Hirst, the general editor of the new Mark Twain Autobiography, discuss Twain’s life, work, and the problems an editor stumbles across when trying to decide exactly what is meant by an “authoritative” autobiography.  To a packed house at the Natural History Museum, Hirst showed photos of Twain’s original typed manuscripts, which had been written on by Twain, corrected by later typists, smudged by typesetters, and revised by previous editors who thought they knew better than Twain how to tell his life story.  Looking at the mess on each page, it was sometimes unclear which corrections were Twain’s — was the slash through a comma, for instance, really his correction or that of a later editor? — which really made you appreciate the hard work, and the detective work, that goes into a project like this.

– This Saturday, we’re attending a showing of A Christmas Carol over at Ford’s Theatre.  It’s one of those things that’s become something of a Christmas tradition with us, in the same way that we always watch Emmet Otter’s Jugband Christmas or A Christmas Story. Plus it’s an opportunity to go see the Christmas trees for each state over at the White House, and the huge tree at the Capitol.  The only wrench in the plan right now is the weather.  It was a whopping 19 degrees this morning here in Maryland, which is not conducive to strolls on the Mall.

– Finally, here’s a really interesting piece on Herman Melville over in the New York Times, courtesy of my colleague — and 19th century historian and fellow political speech writer — Ted Widmer.

Dreams of St. Nicholas (and Santa’s First Appearance in American Literature)

“And the sage Oloffe dreamed a dream–and lo, the good St. Nicholas came riding over the tops of the trees, in that self-same wagon wherein he brings yearly presents to children, and he descended hard by where the heroes of Communipaw had made their late repast. And he lit his pipe by the fire, and sat himself down and smoked . . . And when St. Nicholas had smoked his pipe, he twisted it in his hat-band, and laying his finger beside his nose, gave the astonished Van Kortlandt a very signifcant look, then mounting his wagon, he returned over the tree-tops and disappeared.”

— Washington Irving
A History of New York (1812 edition)
Book II, Chapter V

Christmas Dinner

Happy Holidays! As promised, here are some highlights from Washington Irving’s 1820 short story “Christmas Dinner.” Enjoy.

The dinner was served up in the great hall, where the squire always held his Christmas banquet. A blazing crackling fire of logs had been heaped on to warm the spacious apartment, and the flame went sparkling and wreathing up the wide-mouthed chimney. The great picture of the crusader and his white horse had been profusely decorated with greens for the occasion, and holly and ivy had like-wise been wreathed round the helmet and weapons on the opposite wall, which I understood were the arms of the same warrior . . . A sideboard was set out just under this chivalric trophy, on which was a display of plate that might have vied (at least in variety) with Belshazzar’s parade of the vessels of the temple: “flagons, cans, cups, beakers, goblets, basins, and ewers,” the gorgeous utensils of good companionship that had gradually accumulated through many generations of jovial housekeepers. Before these stood the two Yule candles, beaming like two stars of the first magnitude; other lights were distributed in branches, and the whole array glittered like a firmament of silver.

We were ushered into this banqueting scene with the sound of minstrelsy, the old harper being seated on a stool beside the fireplace and twanging, his instrument with a vast deal more power than melody. Never did Christmas board display a more goodly and gracious assemblage of countenances; those who were not handsome were at least happy, and happiness is a rare improver of your hard-favored visage. . . .

The parson said grace, which was not a short familiar one, such as is commonly addressed to the Deity in these unceremonious days, but a long, courtly, well-worded one of the ancient school. There was now a pause, as if something was expected, when suddenly the butler entered the hall with some degree of bustle: he was attended by a servant on each side with a large wax-light, and bore a silver dish on which was an enormous pig’s head decorated with rosemary, with a lemon in its mouth, which was placed with great formality at the head of the table. The moment this pageant made its appearance the harper struck up a flourish; at the conclusion of which the young Oxonian, on receiving a hint from the squire, gave, with an air of the most comic gravity, an old carol, the first verse of which was as follows

Caput apri defero
Reddens laudes Domino.
The boar’s head in hand bring I,
With garlands gay and rosemary.
I pray you all synge merily
Qui estis in convivio.

Though prepared to witness many of these little eccentricities, from being apprised of the peculiar hobby of mine host, yet I confess the parade with which so odd a dish was introduced somewhat perplexed me, until I gathered from the conversation of the squire and the parson that it was meant to represent the bringing in of the boar’s head, a dish formerly served up with much ceremony and the sound of minstrelsy and song at great tables on Christmas Day. “I like the old custom,” said the squire, “not merely because it is stately and pleasing in itself, but because it was observed at the college at Oxford at which I was educated. When I hear the old song chanted it brings to mind the time when I was young and gamesome, and the noble old college hall, and my fellow-students loitering about in their black gowns; many of whom, poor lads! are now in their graves.”

The parson, however, whose mind was not haunted by such associations, and who was always more taken up with the text than the sentiment, objected to the Oxonian’s version of the carol, which he affirmed was different from that sung at college. He went on, with the dry perseverance of a commentator, to give the college reading, accompanied by sundry annotations, addressing himself at first to the company at large; but, finding their attention gradually diverted to other talk and other objects, he lowered his tone as his number of auditors diminished, until he concluded his remarks in an under voice to a fat-headed old gentleman next him who was silently engaged in the discussion of a huge plateful of turkey.

The old ceremony of serving up the boar’s head on Christmas Day is still observed in the hall of Queen’s College, Oxford. I was favored by the parson with a copy of the carol as now sung, and as it may be acceptable to such of my readers as are curious in these grave and learned matters, I give it entire:

The boar’s head in hand bear I, Bodeck’d with bays and rosemary

The table was literally loaded with good cheer, and presented an epitome of country abundance in this season of overflowing larders. A distinguished post was allotted to “ancient sirloin,” as mine host termed it, being, as he added, “the standard of old English hospitality, and a joint of goodly presence, and full of expectation.” There were several dishes quaintly decorated, and which had evidently something traditional in their embellishments, but about which, as I did not like to appear overcurious, I asked no questions.

[…]

When the cloth was removed the butler brought in a huge silver vessel of rare and curious workmanship, which he placed before the squire. Its appearance was hailed with acclamation, being the Wassail Bowl, so renowned in Christmas festivity. The contents had been prepared by the squire himself; for it was a beverage in the skilful mixture of which he particularly prided himself, alleging that it was too abstruse and complex for the comprehension of an ordinary servant. It was a potation, indeed, that might well make the heart of a toper leap within him, being composed of the richest and raciest wines, highly spiced and sweetened, with roasted apples bobbing about the surface.

The old gentleman’s whole countenance beamed with a serene look of indwelling delight as he stirred this mighty bowl. Having raised it to his lips, with a hearty wish of a merry Christmas to all present, he sent it brimming round the board, for every one to follow his example, according to the primitive style, pronouncing it “the ancient fountain of good feeling, where all hearts met together.”

[…]

Here’s “The Christmas Dinner” in its entirety. Interestingly, when Irving reprinted his Christmas stories nearly forty years later, he added the following postscript:

At the time of the first publication of this paper the picture of an old-fashioned Christmas in the country was pronounced by some as out of date. The author had afterwards an opportunity of witnessing almost all the customs above described, existing in unexpected vigor in the skirts of Derbvshire and Yorkshire, where he passed the Christmas holidays. The reader will find some notice of them in the author’s account of his sojourn at Newstead Abbey.

But enough of Christmas and its gambols; it is time for me to pause in this garrulity. Methinks I hear the questions asked by my graver readers, “To what purpose is all this? how is the world to be made wiser by this talk?” Alas! is there not wisdom enough extant for the instruction of the world? And if not, are there not thousands of abler pens laboring for its improvement? It is so much pleasanter to please than to instruct–to play the companion rather than the preceptor.

What, after all, is the mite of wisdom that I could throw into the mass of knowledge! or how am I sure that my sagest deductions may be safe guides for the opinions of others? But in writing to amuse, if I fail the only evil is in my own disappointment. If, however, I can by any lucky chance, in these days of evil, rub out one wrinkle from the brow of care or beguile the heavy heart of one moment of sorrow; if I can now and then penetrate through the gathering film of misanthropy, prompt a benevolent view of human nature, and make my reader more in good-humor with his fellow-beings and himself — surely, surely, I shall not then have written entirely in vain.

At this time of year, we couldn’t ask for much more than to “rub out one wrinkle from the brow of care.”

Merry Christmas. Take care of each other.

Christmas Eve

For your holiday reading, here’s an excerpt from Washington Irving’s 1820 short story “Christmas Eve,” lifted from the pages of The Sketch Book of Geoffrey Crayon, Gent.

And remember what I told you here yesterday: when Irving tells you something is “ancient custom,” he is not to be trusted. The rogue.

Anyway. Here we go:

The grate had been removed from the wide overwhelming fireplace to make way for a fire of wood, in the midst of which was an enormous log glowing and blazing, and sending forth a vast volume of light and heat: this, I understood, was the Yule-clog, which the squire was particular in having brought in and illumined on a Christmas Eve, according to ancient custom.

The Yule-clog is a great log of wood, sometimes the root of a tree, brought into the house with great ceremony on Christmas Eve, laid in the fireplace, and lighted with the brand of last year’s clog. While it lasted there was great drinking, singing, and telling of tales. Sometimes it was accompanied by Christmas candles; but in the cottages the only light was from the ruddy blaze of the great wood fire. The Yule-clog was to burn all night; if it went out, it was considered a sign of ill luck.

Herrick mentions it in one of his songs:

Come, bring with a noise, My metric, merrie boys,
The Christmas Log to the firing;
While my good dame, she Bids ye all be free,
And drink to your hearts’ desiring.

The Yule-clog is still burnt in many farm-houses and kitchens in England, particularly in the north, and there are several superstitions connected with it among the peasantry. If a squinting person come to the house while it is burning, or a person barefooted, it is considered an ill omen. The brand remaining from the Yule-clog is carefully put away to light the next year’s Christmas fire.

[…]

Supper was announced shortly after our arrival. It was served up in a spacious oaken chamber, the panels of which shone with wax, and around which were several family portraits decorated with holly and ivy. Besides the accustomed lights, two great wax tapers, called Christmas candles, wreathed with greens, were placed on a highly polished beaufet among the family plate. The table was abundantly spread with substantial fare; but the squire made his supper of frumenty, a dish made of wheat cakes boiled in milk with rich spices, being a standing dish in old times for Christmas Eve. I was happy to find my old friend, minced pie, in the retinue of the feast and, finding him to be perfectly orthodox, and that I need not be ashamed of my predilection, I greeted him with all the warmth wherewith we usually greet an old and very genteel acquaintance.

. . . no sooner was supper removed and spiced wines and other beverages peculiar to the season introduced, than Master Simon was called on for a good old Christmas song. He bethought himself for a moment, and then, with a sparkle of the eye and a voice that was by no means bad, excepting that it ran occasionally into a falsetto like the notes of a split reed, he quavered forth a quaint old ditty:

Now Christmas is come,
Let us beat up the drum,
And call all our neighbors together;
And when they appear,
Let us make them such cheer,
As will keep out the wind and the weather, &c.

The supper had disposed every one to gayety, and an old harper was summoned from the servants’ hall, where he had been strumming all the evening, and to all appearance comforting himself with some of the squire’s home-brewed. He was a kind of hanger-on, I was told, of the establishment, and, though ostensibly a resident of the village, was oftener to be found in the squire’s kitchen than his own home, the old gentleman being fond of the sound of “harp in hall.”

The dance, like most dances after supper, was a merry one: some of the older folks joined in it, and the squire himself figured down several couple with a partner with whom he affirmed he had danced at every Christmas for nearly half a century. . . .

[…]

The party now broke up for the night with the kind-hearted old custom of shaking hands. As I passed through the hall on my way to my chamber, the dying embers of the Yule-clog still sent forth a dusky glow, and had it not been the season when “no spirit dares stir abroad,” I should have been half tempted to steal from my room at midnight and peep whether the fairies might not be at their revels about the hearth.

My chamber was in the old part of the mansion, the ponderous furniture of which might have been fabricated in the days of the giants. The room was panelled, with cornices of heavy carved work, in which flowers and grotesque faces were strangely intermingled, and a row of black-looking portraits stared mournfully at me from the walls. The bed was of rich thought faded damask, with a lofty tester, and stood in a niche opposite a bow window. I had scarcely got into bed when a strain of music seemed to break forth in the air just below the window. I listened, and found it proceeded from a band which I concluded to be the Waits from some neighboring village. They went round the house, playing under the windows. I drew aside the curtains to hear them more distinctly. The moonbeams fell through the upper part of the casement; partially lighting up the antiquated apartment. The sounds, as they receded, became more soft and aerial, and seemed to accord with the quiet and moonlight. I listened and listened–they became more and more tender and remote, and, as they gradually died away, my head sunk upon the pillow and I fell asleep.

Tomorrow: Irving’s “Christmas Dinner.” Meanwhile, here’s “Christmas Eve” in its entirety. Go read it. It’ll make your day.

Father Christmas and Secret Origins

When I give talks about Washington Irving, inevitably, one of the first questions I get is, “Why did you choose Irving as your subject?” And my answer is, “Because I’m a Christmas junkie.”

About ten years ago, while browsing the paperbacks table at Trover Books on Capitol Hill, I came across Stephen Nissenbaum’s The Battle for Christmas, a book that — according to its back cover — “charts the invention of our current yuletide traditions, from St. Nicholas to the Christmas tree and, perhaps most radically, the practice of giving gifts to children.” That was enough for me. I paid at the register and it was mine.

Niseenbaum’s book is terrific for a number of reasons — if you’re even remotely interested in folklore, early American culture, or Christmas, I strongly encourage you to read it — and it goes a long way toward debunking some of the common mis-perceptions about my favorite holiday. For example, you’ll read how Christmas was actually outlawed in the United States until the early 19th century, mainly because Americans used the day as an opportunity to eat and drink to excess, then would go out and sing loudly, demanding food and drink of neighbors — and any neighbor who failed to deliver the goods risked being dragged out of the house and beaten up. Hence the lines in “We Wish You A Merry Christmas” in which carolers demand figgy pudding (“Bring some out here!”) and then declare that they “won’t go until we get some!”

But where the book really shines, however, is in its discussion of the dewy-eyed images of Christmas we Americans have conjured up and embraced as our own. All those Currier & Ives images, Nissenbaum tells us — sleigh rides over icy ponds, Yule logs burning in the fireplace, Santa Claus soaring over the treetops, children waking early and eagerly Christmas morning, and rambunctious Christmas dinner parties — never existed. They weren’t part of old English tradition, they were simply made up by an American writer named . . . Washington Irving.

Well. That was news to me, so I went out and looked for Irving’s Christmas stories. As it turns out, most of them are hiding in plain sight, right smack in the middle of The Sketch Book of Geoffrey Crayon, Gent., Irving’s collection of short stories and essays that’s remembered for “Rip Van Winkle” and “The Legend of Sleepy Hollow,” and, alas, not much else. But never mind.

In that section — five short stories in which Irving’s narrator, Geoffrey Crayon, experiences Christmas Eve and day in the home of Squire Bracebridge — Irving all but creates our modern day Christmas. Yule logs crackle in the fireplace, children sing carols on Christmas morning, good looking couples dance in old houses crammed with antique furniture, and on Christmas Day, the extended family surrounds an enormous table groaning under roast beef and turkey, puddings, and foaming tankards of beer. Squire Bracebridge, we’re told, celebrates Christmas in the old style — except it’s also made clear, through winks and a sly gesture that involves laying one’s finger on the side of one’s nose — that the Squire hasn’t quite got his facts right. But all is still right with the world.

I read Irving’s Christmas stories — which I’ll tell you more about — and loved them. Then I read some more Irving, and loved that, too. What surprised me most was his voice: this was no stilted, Puritan, 19th century prose; it was chatty, charming, and completely relaxed. And the more I read, the more I wanted to know about this guy. So I looked, and looked, and looked . . . and there wasn’t a thing available.

Finally, I found what was considered to be the last word on Irving, a 1935, two-volume biography by Yale English professor Stanley Williams. While the Williams biography is thorough, it’s clear that the more Williams wrote, the more he decided he didn’t like Irving very much. He regarded him as lazy, dopey, a hack, and mostly lucky — a writer who only succeeded when the competition was sparse. It wasn’t really the book I wanted to read.

So, borrowing a lesson from David McCullough — who, I think, borrowed it from Thorton Wilder — I decided to write the book I wanted to read — one that looked at Irving with a more modern eye, was more understanding and forgiving of his flaws, and which appreciated just how hard the guy had to work to succeed in a time when, yes, there was no competition, but there were also very few role models.

And it all started because of my love of Christmas. Really.