Category Archives: Washington Irving

Trip Report, Part 2: Hi, Society!

When I last left you — at least for the purposes of this particular narrative — I was in the lobby of the Roosevelt hotel, monitoring text messages from Barb and Madi as they made their way up from Maryland on the train.  They were running only slightly behind schedule (as I said earlier, “on time” for the Northeast Regional seems to mean about ten minutes late), so I arrived in plenty of time to meet them, even after walking the mile or so to Penn Station.  A short cab ride back to the hotel (when did New York cabs start taking debit cards? Brilliant) and we went into a bit of decompression mode until it was time to leave for the St. Nicholas Society Event at 6:30.

The Maxfield Parrish bulletin board at the Coffee House Club.

The dinner was being held at the Coffee House Club over on West 44th, only a block or so from the hotel, and an easy walk in the brisk February air.  The Coffee House Club is considered a private New York club, but it’s got  an irreverent, tongue-in-cheek outlook that I love. (Its Constitution consists of a half-dozen “commandments”: “No officers, no charge accounts, no liveries, no tips, no set speeches, no rules.”)  It’s also a comfortably unassuming place, just two large rooms — one a reception area, the other a cozy dining hall.

Just inside the door, I met Jill Spiller, the Executive Director of the St. Nicholas Society, who worked hard over the past few months leading up to the evening to take good care of me. True to form, she escorted us into the reception room and put off to one side a nice gift from the St. Nicolas Society, a set of glasses etched with their logo.  Very nice.

The reception was a very classy affair, yet also laid back — St. Nicholas members are genuinely interested in telling and listening to stories, and a well-told story will usually cause an eruption of laughter.  And people had so many different interests that moving from one small circle to another was like entering a live encyclopedia.  Over here, you could talk about astronauts and one man’s collection of space memorabilia.  In this corner, it was about children’s songs.  Over here, people chatted about medicine.  I even found one gentleman who had in his private collection one of my Holy Grails of Washington Irving portraits: a photograph of a painting of Irving’s best friend, Henry Brevoort.  I had scoured the planet looking for a portrait of Brevoort back when I was working on Irving and had no luck — and now here was someone who had one.  It’s wonderful when things like that happen.

After an hour or so at the reception (the hosts had done a good job taking care of Madi, ensuring there was plenty of teen-friendly food and drink), we were gently herded into the main dining hall.  The President of the St. Nicholas Society, Dr. Billick — who is class and charm personified — had gone to great lengths to seat Madi on his left, with me on his right, and Barb right across from us at the horseshoe of tables.  I smiled as Dr. Billick made certain to engage Madi in conversation throughout the meal, offering up history questions, chatting about the European Union (!) and generally making her feel at ease as the only young person in the room.  Not that Madi can’t hold her own in almost any conversation (at one point, someone came up to me, laughing, and said, “After talking with your daughter, I asked her  what she was majoring in.  She told me ‘eighth grade’!”), but it was a lovely gesture on his part, and I so appreciated his effort.

We were still enjoying our dinners when it was time to conduct some business.  Two new members of the St. Nicholas Society were introduced and initiated to much applause.  I was then introduced by longtime member (and fellow New Mexican!) Mr. Hilliard, with Dr. Billick at his side, who stepped to the mike and presented me with their award.

I promised everyone who wrote to me with their good wishes that I would put up a picture of the medal.  Here it is — and it’s a beauty:

I spoke for about twenty minutes, telling one of my all-time favorite Irving stories: the hoax that Irving pulled off to launch his mock history of New York City, and the Dutch reaction to it (someone threatened to horsewhip him). Given the St. Nicholas Society’s mission to preserve and perpetuate New York’s history, I thought such a talk would be appropriate — and I was delighted that it went over so well.  I took questions for about twenty more minutes, then spent the rest of the evening signing books, talking with members, and generally having a terrific time. It was one of the nicest evenings I’ve ever had — and having Barb and Madi there with me to share in it made it that much more special.

It was cold as we stepped out onto 44th for the walk back to our hotel — we had already changed our travel plans to leave early the next morning, in hopes of getting back to Maryland in front of the advancing snowstorm — but we walked slowly, trying to make the evening last even longer.  Our thanks to the St. Nicholas Society for such a remarkable night.

The One in Which I Win An Award…

I am thrilled to announce that I have been elected to receive the Washington Irving Medal for Literary Excellence from the St. Nicholas Society of New York.  I’ll be receiving the medal at the organization’s Winter Stated Meeting in New York in early February.

It’s a genuine honor to receive this award — past recipients include David McCullough and Ron Chernow — and the fact that the organization, and the award itself, are affiliated with Washington Irving makes it that much more special for me.   The St. Nicholas Society of New York is an organization Irving himself helped found back in 1835 to commemorate the history and heritage of New York.  (Irving, in fact, can be considered one of New York’s first historians, celebrating his home town’s Dutch heritage in a rollicking, tongue-in-cheek manner in A History of New York in 1809.)

As their most literary of founders, then, Irving’s name appears on their Medal for Literary Excellence — but  writing about Irving is not a requirement for the award! David McCullough won it for Truman in 1993, Ron Chernow received it for Alexander Hamilton in 2005, while Edwin G. Burrows and Mike Wallace got it in 2000 for Gotham. That’s heady company indeed, and I’m humbled beyond words to have my name appear alongside any one of theirs.

My deepest thanks to the St. Nicholas Society of New York for this wonderful award.

Dreams of St. Nicholas (and Santa’s First Appearance in American Literature)

“And the sage Oloffe dreamed a dream–and lo, the good St. Nicholas came riding over the tops of the trees, in that self-same wagon wherein he brings yearly presents to children, and he descended hard by where the heroes of Communipaw had made their late repast. And he lit his pipe by the fire, and sat himself down and smoked . . . And when St. Nicholas had smoked his pipe, he twisted it in his hat-band, and laying his finger beside his nose, gave the astonished Van Kortlandt a very signifcant look, then mounting his wagon, he returned over the tree-tops and disappeared.”

— Washington Irving
A History of New York (1812 edition)
Book II, Chapter V

December 1, 1859: An Icon Is Laid To Rest

One hundred and fifty years ago today, American writer Washington Irving was laid to rest at Sleepy Hollow Cemetery in New York. 

Irving had died at his home at Sunnyside three days earlier, felled by a heart attack on the evening of November 28, 1859, at the age of  76. News of his death traveled rapidly down the Hudson River, and was carried by the newly installed telegraph to newspapers across the country.  “Washington Irving is dead!” wrote the editors of the Milwaukee Sentinel. “Who is there that the tidings did not touch with profound sorrow?”

While it is difficult to appreciate Irving’s place in literature and popular culture today, in 1859, Irving embodied both.  As the Father of the American Bestseller, and the creator of literary icons like Ichabod Crane and Rip Van Winkle, Irving was the nation’s most familiar author.  A friend to presidents, kings, artists, and writers, his death was felt, and noted, around the world.

And his funeral?  It was officially An Event. On December 1, 1859, Tarrytown and Sleepy Hollow were swathed in black. Mourners stepped off the train platform at Irvington — formerly the town of Dearman, but renamed years earlier in Irving’s honor — under a black-draped sign.  Businesses in Tarrytown shuttered their windows for the day. The courts in New York City closed deferentially, allowing government officials to attend Irving’s funeral.

At 12:30 p.m., as church bells gonged in New York City, a line of carriages — containing Irving’s body, his family, his doctor, and pallbearers — pulled away from Irving’s home and headed slowly up the road to the Old Dutch Church at Tarrytown.  At the conclusion of the services, Irving lay, as he had requested, in an open casket, allowing more than a thousand mourners to file past and pay their respects.

Irving’s casket was then placed in a coach at the head of a procession of 150 carriages, which slowly made its way up the sloping hill adjacent to the church, toward the Sleepy Hollow Cemetery. “It is a thing that lies near my heart,” Irving had once said of the cemetery. “I hope, some day or other, to sleep my last sleep in that favorite resort of my boyhood.”

The weather that afternoon was, perhaps fittingly, “exquisite.” As hundreds of mourners surged upagainst the iron fence surrounding the gravesite, hoping for a good look, Irving was lowered into the ground, in the spot he had so carefully chosen next to his mother.

Irving was buried beneath a simple headstone, engraved only with his name and dates of birth and death. There is no epitaph.  As I always tell audiences, he has left it for you to discuss and decide his legacy.

In a December 15 speech before the Massachusetts Historical Society, Irving’s friend Henry Wadsworth Longfellow urged his audience to “rejoice in the completeness” of Irving’s life and work, “which, closing together, have left behind them so sweet a fame, and a memory so precious.”

“We feel a just pride in his renown as an author,” continued Longfellow, “not forgetting that, to his other claims upon our gratitude, he adds also that of having been the first to win for our country an honourable name and position in the History of Letters.”

Not bad for the dreamy son of a middle class merchant.

Washington Irving, C Blocker?

Rebecca Gratz

Claire Salisbury — who’s doing terrific work bringing to light the life and letters of the 19th century philanthropist Rebecca Gratz over on her blog,  Rebecca Gratz and 19th Century Americahas two fun entries this week on a a good friend of Rebecca’s . . . an aspiring young writer named Washington Irving.

Irving and Gratz had an interesting and decidedly non-romantic relationship — one based on mutual respect, good conversation, and similar senses of humor.  In fact, there were times when Rebecca used Irving as a willing tool in thwarting the advances of suitors, much to the delight of both.

I’ll let Claire serve as your tour guide for these particular stories (she is, after all, a docent for the Rosenbach Museum and Library in Philadelphia, so you’re in good hands).  The two entries are here and here, and her full blog is here.  Over to you, Claire . . .

Off to Sleepy Hollow…

We’re getting ready to get in the car and head to Sleepy Hollow for the weekend, where the weather forecast for tomorrow is calling for  snow.  But I’ll be at Sunnyside come rain or shine or, er, snow on Saturday.  Come on out and chuck a snowball at me.  Or something.

In the meantime, here’s a short interview with me over at the Hudson Valley blog, where you can hear me talk about Irving as the 19th century Elvis, and who I think would win in a fight between Batman and Spider-Man.

I’ll be back here on Monday with plenty of pictures, I hope.  The Blaze should look particularly creepy in the mist and snow….

The Bronx is Up, The Bowery Down

Madi and I spent a terrific day in New York City yesterday. We had to be up and on our way to Baltimore to catch the train by 7:00 a.m., and she couldn’t have been more of a trooper — especially since we’re approaching the final days of summer vacation, and teenagers like to get all the sack time they can get before the regular routine starts again.

We made it into New York Penn Station just slightly after 10 a.m. – a bit late, and I had to be at the Paley Center for Media at 10:30 to do some talking head filming for a documentary piece that’s being put together on Washington Irving and Sunnyside. Rather than cab it, Madi and I opted to hoof it and, in spite of a false start by me, when I steered us in the wrong direction out of Penn Station, we arrived at Paley just before 11:00. An elevator whisked us to the 11th floor, where I spent the next hour sitting just near William Paley’s Emmy Awards and talking All Things Irving while cameras rolled, trying not to talk too fast or too much with my hands, which can be particularly embarrassing.  I have no idea yet when the piece will run — it’ll be a while, and will likely be just a regional thing — but I’ll let you know.  At any rate, it was fun, and I got to do my James Fenimore Cooper impression.

After the taping, Madi and I headed over to the Le Parker Meredien to meet my editor, Casey, and dine on what I’ve been told are the finest burgers in the city. The restaurant — a tiny little place called Burger Joint — is crammed in the back of the Meredien’s lobby, almost unnoticeable except for a small neon sign shaped like a hamburger.  There was already a line out the door when we arrived there at 12:30 — which, I was told, was the norm — and at the recommendation of an incredibly nice concierge, we got in line to hold our spot until Casey arrived, which she did within a matter of minutes.

The place was the size of a postage stamp, and the real trick once you’re inside is to watch for someone preparing to leave their table — at which point you hover over them like a vulture and slide into their seats while they’re still bussing their mess.  While standing in line, we spotted a corner booth being vacated, and managed to slip Madi into it just seconds in front of a fellow who had just gotten his food.  The food was, indeed, outstanding, though the slightly melted shakes left something to be desired.

Following lunch and bidding farewell to Casey (who texted me shortly thereafter to officially designate herself a Madi Fan), Madi and I spent the rest of the afternoon back over at the Paley Center for Media, where I had some clips I needed to take a look at for Project Blue Harvest. I had never been to the center before, and I gotta tell ya, it’s a Pop Culture Junkie’s Candy Shop.  You can scan through the center’s enormous video library, select any clip you want to see, then slide into a darkened room where your clip runs on a video monitor. I had them pull about an hour’s worth of footage involving my subject, while Madi chose an old Twilight Zone (“The Bard,” one of the humorous ones in which a hack television writer conjures up William Shakespeare to do some ghost writing for him) and for the next two hours, we sat in front of a monitor with headphones on, laughing and, at times, pointing to other monitors in the room (one was showing “The Trouble With Tribbles” episode of Star Trek, while another showed Lucy gagging on Vitameatavegimin).  We got a particular kick out of the old commercials that were still intact on the Twilight Zone clip, for Marlboro cigarettes and Reynold’s Wrap aluminum foil, the virtues of which were extolled by a straw-hatted barbershop quartet.

After shutting off our monitor and hanging up our headphones, we decided to spend a few hours watching some of the presentations that were running in some of the theaters throughout the building, and finally settled on the program in theater four, which featured over an hour’s worth of Super Bowl commercials — some good, some bad, and some shown only once and never seen again because they were deemed too offensive or too ineffective.  We thought one of the most interesting was Apple’s sequel to their incredible successful “1984” commercial — where they unveiled the MacIntosh, as we called it back in the Dark Ages, kids. In 1985, Apple was promoting Mac Office during the Super Bowl — and given the success of their 1984 ad, expectations were running high for the new spot.  The commercial — called “Lemmings” — was a failure, considered too dark and rather sick, and was never shown again. But see what you think.  Here it is:

We ended our day with a slow walk back to Penn Station, where we ate pizza in Bryant Park, tried unsuccessfully to locate an open bookstore, and munched on doughnuts (which I slobbed all over myself, much to Madi’s enjoyment) while we waited for our train. We finally made it home well after midnight — and here at noon now, I only just heard Madi get out of bed. But you know what? She deserves the late morning. It was one of the nicest days I’ve spent in a long time, just hanging out in New York with my kid.

Random Abstract

Once again, apologies for neglecting the ol’ blog.  I’ve been away, but not idle.  Here’s a rundown on what’s happened over the last 13 days:

– I turned a year older, and celebrated my birthday by painting the concrete floor of our living room, mowing the lawn, and having dinner with my wife and my dad.  The perfect way to spend one’s birthday, if I may so.  And I do say so.

– I had an incredibly productive day at the Library of Congress, running down some long-lost newspaper stories and advertisements related to Project Blue Harvest.  Nothing major, but lots of little things that make those Wow, I Didn’t Know That moments that give your subject life.

– I finished reading The Road to Xanadu, the first book in Simon Callow’s masterful biography of Orson Welles.  Next up: part two, Hello, Americans!

– I had two exciting conversations relating to Washington Irving: An American Original — and hope to have something to tell you here shortly.

– I replaced my peezacrap eight-year-old HP laptop — which weighs 300 pounds, has a loose ‘Y’ key, and will only open documents in Safe Mode — with a much lighter, quicker, and convenient MacBook.

– And finally, I’m leaving for New Mexico tomorrow to enjoy a bit of R&R, visit my Mom, see my brother (who just happens to be in Albuquerque this week for his high school reunion) and his family, hang out with my pals, and come whizzing back to Maryland with my kid, who’s been out west all summer.  And don’t get between me and the big steaming plate of Los Cuates’ carne adovada I’m having mere moments after my plane lands.  Because I will knock you down.  Hard.

“…A Small Elderly Gentleman By the Name of Knickerbocker.”

In her book Knickerbocker: The Myth behind New York — now available from Rutgers Univerity Press — author Elizabeth L. Bradley traces the use of Washington Irving’s fictional historian Diedrich Knickerbocker — the crusty narrator of his 1809 satire A History of New York — as the embodiment of All Things New York.  Here’s Bradley, in a recent piece in the New York Times:

Manhattanites knew little of their Dutch founding fathers, and Irving took advantage of that to create a past that interwove fact and fable; one that presented an appealing portrait of the Dutch colonists as pleasure-loving, pipe-smoking burghers who introduced Santa Claus, doughnuts and diplomacy to America, and let their meandering cows give shape to the streets of Lower Manhattan . . . What Irving did not anticipate was that in the ensuing 200 years, New Yorkers would adopt his imaginary character as an emblem of all that was authentically, emphatically New York . . . generations of New Yorkers recast the Dutchman according to their needs and their times: he became a symbol of nativism and patriotism, of high society and of five-borough consolidation, and he was seized upon to market everything from beer to basketball.

Spot on.  At the time, Irving had no idea he had just created an advertising juggernaut.  But New Yorkers were quick to embrace Knickerbocker — with his unshakable, unimpressed, irreverent attitude — as the ultimate New Yorker, and even in Irving’s lifetime, Diedrich was already a go-to icon for companies seeking to brand themselves and their products as distinctly New York.

In his introduction to the 1848 author’s revised edition, Irving wrote of his amazement at finding his crotchety narrator had “become a ‘household word,’ and used to give the home stamp to every thing recommended for popular acceptation, such as . . . Knickerbocker insurance companies, Knickerbocker bread and Knickerbocker ice.”  Today the name is still used by the city’s professional basketball team, albeit in its more familiar abbreviated form, reading simply KNICKS.

There’s a fun slide show over at the New York Times where Bradley provides a peek at the use of the Knickerbocker name in and around New York, sometimes visible in faded painted lettering for defunct companies, other times still blazing in bright neon letters on restaurants and clubs.  The slide show starts right here, and you can order Bradley’s book here.

Irving, Key, and the National Anthem

In last Friday’s Washington Post, columnist Michael Kinsley grumbled a bit about “The Star-Spangled Banner,” deriding it not only for being unsingable, but too full of warfare and unwarranted jingoism:

The melody is lifted from an old English drinking song. The lyrics are all about bombs and war and bloodshed — and not in a good way. By the penultimate verse, the song has turned really nasty: “No refuge could save the hireling and slave/From the terror of flight or the gloom of the grave.” In the first verse — the one we generally sing — there is only one reference to any value commonly associated with America: “land of the free.” By contrast, “home of the brave” is empty bravado. There is nothing in the American myth (let alone reality) to suggest that we are braver than anyone else.

The entire piece is right here.

Apart from stridently disagreeing with his last sentence, I’ve got a bit of a soft spot for “The Star-Spangled Banner” myself.  For one thing, I share a birthday with its lyricist, Francis Scott Key, one of only two really cool people — Herman Melville being the other — with whom I share a birthday.  When I was about six or seven years old, my Mom ordered for my brother and me one of those “Read About Me” books — where your parents would send information about you to a sort of print-on-demand operation, which would then incorporate all the information about you into an otherwise generic story — and when it got to the page where the narrator discussed famous people with whom you share a birthday, I was stuck with Francis Scott Key.  My brother, meanwhile, got Groucho Marx, a tidbit I was always somewhat jealous of.

Anyway, that’s one of the reasons — although a silly one — that I’ve always admired Baltimore’s unlucky lawyer, caught behind the lines when the shelling started at Fort McHenry.  He may have written a song few people can sing, but at least he had the good taste to be born on August 1.

To my later surprise and delight, however,  I learned there’s also a Washington Irving connection to Key’s poem.  In 1814, Irving was two years into his term as editor of Analectic Magazine. It was a job he was growing increasingly weary of — he particularly hated being a literary critic — but despite his lack of confidence in his abilities, Irving had remarkably good taste when it came to finding new work to publish in his magazine.  And in the December 1814 issue, only three short months after the bombardment of Fort McHenry,  Irving reprinted Key’s lyrics — a four-stanza poem he had titled “Defense of Fort McHenry” — in their entirety.

Irving was not only delighted with Key’s lyrics, he thought they were a fine example of one of his own pet causes: Americans writing their own patriotic poetry, rather than merely rewriting or adapting British poems, as had been the habit.  While Key set his poem to the tune of a popular British drinking song, “Anacreon in Heaven,” the lyrics themselves were new and uniquely American. And as Irving presciently noted in his introduction to Key’s lyrics, “we think that their merit entitles them to preservation in some more permanent form than the columns of a daily paper.”

How right he was.  Key’s lyrics — and the drinking tune to which they were set — officially became our National Anthem in 1931.  Hard to sing?  Sure — but listen how glorious it can sound when done right.  Here’s Whitney Houston kicking off the 1991 Super Bowl, at the height of the Persian Gulf War:

Have a good weekend!