Almost Unreal Yet It’s Too Soon To Feel Yet

Sad word from Walt Disney World this morning as the reliable folks at ToughPigs report that Muppet*Vision 3D, and indeed the entire Muppets courtyard at Disney Hollywood Studios, will be closed down in 2025, to make way for a Monsters, Inc.-themed corner of the park.

And that’s a shame. Muppet*Vision 3D is one of the last projects to have a bit of Jim Henson’s DNA embedded in it, as it was (mostly) completed shortly before his death in May 1990, even as he was still negotiating the sale of his company to Disney. (In fact, as you can read in Jim Henson: The Biography, Jim and the Muppet crew were hard at work on the attraction without any kind of formalized agreement in place, beyond a handshake between Jim and Disney CEO Michael Eisner–a remarkable show of good faith that got bogged down in details such as Jim’s fee for directing the film for the attraction.) With Jim’s passing, and the deal with Disney ultimately scuttled, plans were abandoned for a Muppet-themed corner of the park, which would have included restaurants and a dark ride called “The Great Muppet Movie Ride”, a behind-the-scenes look at the making of classic movies in which all the information was wrong–a concept that made Jim Henson howl with laughter.

After finally acquiring the Muppets in the early 2000s, Disney kept promising it would take good care of the franchise in the park, but only half-heartedly tinkered with the area over the next two decades. Ultimately, it seemed Disney’s heart was never quite in it–and lacking a certified, gigantic, breakaway Muppets big screen hit, I’m disappointed, but not surprised that Disney has opted to hand a prime piece of park real estate over to a bigger franchise. That means packing up the Muppets and all their accoutrements, including the iconic Miss Piggy fountain at the center of the Muppets Pavilion.

What’s truly sad is that Jim Henson himself had such high hopes for the Muppets at Disney, a company he admired and trusted. “I really like the idea of my characters living on in the Disney parks,” he wrote. “It’s a wonderful future for these characters. It is as close to an eternal life as a little green frog can get.” He had big plans for the Muppets at Walt Disney World, and had loved working with the Disney Imagineers, who usually responded to his crazy ideas with when do you need it? and rarely with no.

Is all lost? Not quite yet. Disney also announced that it’ll be re-theming the fantastically fun, but lamely themed, Rock ‘n’ Rollercoaster Starring Aerosmith (which, let’s face it, was barely cool thematically when it opened in 1999). Based on the gorgeous concept art, it looks to be focusing on the Electric Mayhem, which makes sense and could be the set up for a seriously wacky experience. And as others have pointed out, the coaster also has its own dedicated merchandise shop as you step off of the ride, which would make a nice home for Muppet stuff in the park.

What else? There are also rumors that Disney is trying to find a home for Muppet*Vision 3D and the Miss Piggy Fountain (hey, how about giving the Muppet Theater a spot on Main Street? Its vaudevillian, old school vibe would be right at home….) Also, remember that quote up there just above: Jim Henson himself said that he liked the idea of his characters living on in the Disney theme parks. Under the new arrangement, the characters are still living on in the parks; we’ll just have to get used to seeing them some place different, trying something new. Which was pretty much one of Jim Henson’s mantras: try something new.

We’ll miss Muppet*Vision 3D, just as we miss what might’ve been in the Muppet pavilion. But we’re gonna try something new.

And That’s That for the (Former) Bird App

….and that’s gonna be it for Twitter/X. If you see anyone posting over there as me, it ain’t me.

Where You Can Find Me

Those of you who’ve followed me on social media in the past know I got off of The App Formerly Known as Twitter more than a year ago when it was acquired by a billionaire who decided to completely screw up its functionality–I leapt away when he made account verification meaningless–even as he took it full-on White supremacist. So I moved my account to private–that means if you weren’t following me before, you can’t read any of my posts–but left it active in hopes that I might come back to it some day. And, uh, I don’t think that day’s coming, so I’m likely gonna delete it entirely.

That makes me sad, because I really did enjoy Twitter–in fact, I got to know a lot of you guys there, including some who have become good friends away from the keyboard. But I can no longer in good conscience invest my time, attention, and blood pressure in a place that’s gone so fully and dangerously off the rails and into the hands of the trolls.*

What’s that you say? Engage with them because otherwise you’re conceding the space? Oh dear me . . . they’re not there to engage meaningfully, and never have been; they’re there simply to be an absolute force of chaos, gleefully sucking the joy out of everyone else’s good time. In short, it’s just no fun any more.

I’m struggling similarly with Facebook, both in my personal and public profiles. While I have a well-curated account, I’m seeing more and more MAGA strutting into conversations and spraying their blunderbuss of bullshit into what had, up to that point, been a completely normal conversation about the Muppets or movies or classic television or The Beatles. At this point, those are headaches I don’t need. (What’s that you say? Engage with them? See above, ad infinitum. This is why we can’t have nice things.) So, for the moment, I’ve taken those accounts down, too. Not deleted, but let’s call it sleeping.

So where am I? Around the same time I got off of Twitter in Fall 2023, I moved over to Bluesky, where the vibe is much more chill, and dare I say much more Twitter circa 2008-2012ish. Post-election, there’s been an upswell in the Bluesky ranks since users begin fleeing Twitter/X en masse for more reasonable, more fun, and markedly less fashy environments.

So, if you’ve missed reading me running my mouth on Twitter/X, you can find me doing the same thing over on Bluesky at this account. (Or just search for me on the app at brianjayjones). As always, I’ll keep talking Jim Henson, Muppets, George Lucas, Star Wars, Dr. Seuss, Washington Irving, politics, pop culture, biography, Lobo basketball, and–when there’s news to report–updates on the Latest Project. I’m also on Instagram–yes, also at brianjayjones–where I remain absolutely terrible about posting interesting photos. But I’m trying.

I similarly tried out Threads, but I find the platform clunky, and engagement difficult. So while I still have an account there, it, too, has gone dormant.

Oh, and you might even see me back in this space more often, too. So keep watching.

Thanks, as always, for reading, and look out for each other, okay?

* This is not me telling you how to social media; you do you, no harm, no foul.

So This Is How Liberty Dies….

As I noted in George Lucas: A Life, it’s about as prescient a line as Lucas ever wrote.

Grieve and get angry–Lord knows I am–but look out for each other, folks. I suspect we’re gonna need to have each other’s backs.

The Streak Is Over

And there we have it. After four years of staying COVID free, I finally came down with it over the weekend.

Fortunately, I’m vaxxed and boosted, so it seems that, so far, I’ve escaped with just a very minor case: aching neck and shoulders, an annoying cough, but not much else. I think I’ve had it since Friday, as I woke up that day feeling just slightly . . . off. But heck, I wouldn’t even have thought I had COVID–just a bad cold–if someone hadn’t described their first brush with it as “malaise,” which pretty much summed up how I felt, and prompted me to test.

Several days later, I’m feeling much better, and planning on staying away from everyone and everything until late in the week, at which point I’ll only venture out masked for a while. But my status as a NOVID has come to an end, thank you, and I will be taking no questions.

Coming Soon: Jim Henson: Idea Man

Well, there you go. The Ron Howard helmed documentary we’ve been waiting for since . . . what, 2022? finally arrives on Disney+ on May 31, and it’s got a title: Jim Henson: Idea Man. Vanity Fair has a pretty good sneak preview you can see here, and I’m hoping we’ll get a video trailer sometime here soon.

And for those who have kindly asked: no, I had no involvement in this project, apart from clearing a smidge of audio for their use (it’s not me talking, but the voice of someone I interviewed, so you’ll get to hear their voice in the documentary, which I love. I’m just hoping they can use some of the newfangled Peter Jackson audio wizardry that they used in Get Back to clear it up a bit). Anyway, this will be as shiny and new and exciting to me as it is to you, which, as a fan, is a great feeling. May 31 can’t get here fast enough.

Talking Jim Henson at Our American Stories

It was a delight to sit down with Madisyn at the Our American Stories podcast to talk Jim Henson, the joy of performing, the benefit of time, and how two Muppets doing terrible things to each other sold an awful lot of Wilkins Coffee. Added bonus: Good grief! The comedian’s a bear!

You can listen here.

A Decade of Gratitude

I haven’t been at the desk much today, but I wanted to take a moment to note two things.

First, it’s Jim Henson’s 87th birthday. As I say every year, go celebrate by doing something silly. Jim Henson would want you to.

And second . . . it’s the tenth anniversary of the publication of Jim Henson: The Biography.

I’m can’t begin to tell you how grateful I am to all of you who have enjoyed, and continue to enjoy, reading the biography. I love hearing from readers who were moved or inspired by Jim’s story–and while I so appreciate the kind words, I’m just the messenger, man! It’s Jim who moved and inspired you. I think he’d love knowing that, 33 years after his death, new generations of creatives, weirdos, lovers, and dreamers have found him and love him not only for his enormous output of amazing work, but for the person he was and aspired to be.

A decade after publication of the biography, I’m constantly inspired by all of YOU, too–whether you’re fans, performers, writers, artists, musicians, puppetmakers, or just want to razz me about the word “Muppeteer” . . . know that I love ALL of you. The Muppet family is the BEST, and I’m so proud to be a part of the Muppet fan community, which, generally speaking, is one of the most positive around.

I’m also enormously grateful to the entire Muppet and Henson organization, who let me into their homes, and their hearts, to tell Jim Henson’s story. It’s a privilege to be a part of the Amphibian Alumni, no matter how peripheral, and I’m privileged (there’s that word again) to still be in touch with many of you fine folks today. Thanks for letting me in. And sometimes even feeding me.

Anyway, I’m fairly certain that the first words of my obituary will be, “Jim Henson biographer Brian Jay Jones . . .” And really, I am just SO okay with and proud of that.

Thank you again, all of you, for reading Jim’s biography, and learning, laughing, and crying along with it. I’m grateful to all of you for reading. And I wanted you to know that.

Movin’ Right Along with Tough Pigs

As always, it’s a blast to hang out with the folks at Tough Pigs, and I’m always genuinely delighted when they ask me do A Thing with them. This time, I’m lending a hand talking with Anthony and Ryan about two of the saddest minutes from The Muppet Christmas Carol, minutes 71 and 72, as the Cratchits mourn the loss of Tiny Tim. We’ll talk about Miss Piggy’s acting abilities, debate why Scrooge can’t or won’t enter the Cratchit home, and try to figure out IF TINY TIM IS REALLY DEAD.

Click here to have a listen.

Talking Seuss with American Stories

To mark Dr. Seuss’s 119th birthday, I sat down with the kind folks — in this case Madisyn — at the Our American Stories podcast to trace the arc of Seuss’s life and work. If you’re so inclined, here’s about 30 minutes of me enthusing about Seuss — and Frank Capra and Chuck Jones and Bennett Cerf and so many others — and his astounding work and work ethic. I also seem to be doing a spot on Reuben Kincaid impression.