Tag Archives: Jim Henson

Guy? No, TAVIS Smiley.

File this under the Had Enough of Me Yet? Department: I’ll be on The Tavis Smily Show on PBS this Friday, October 18.  Check your local listings for the time and channel — out here in Maryland, for example, it’s actually on at midnight, which technically makes it the morning of October 19.  But that’s nitpicking, innit?

I taped the interview early last week — and when you finish, they give you a cool framed photo of yourself on set, gabbing with the man himself.  Like so:

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That’s me, talking with my hands as usual, and doing what appears to be my best Walter White impression.

Click here for more information on The Tavis Smiley Show. And naturally, I’ll link to my appearance, once it’s online.

A Today Show Update

UnknownOkay, I have it on good authority that the Today show segment will air tomorrow — Tuesday, October 15 — during the eight o’clock hour.

And while I haven’t seen the segment — and won’t until everyone else does — I can tell you that you’ll see Frank Oz in it.  So that should be enough, really, for you to wanna tune in.

Set  your DVRs now. Or not. I’m not the boss of you.

 

Your Moment of Zen

DailyShowOnly a little more than two weeks ago, I received word from the publicity team at Random House that it was “extremely likely” that I would be booked for an appearance on The Daily Show with Jon Stewart to talk about Jim Henson. My chin hit the floor as David Moench, the publicist assigned to me at Random House, told me the news. I think I responded with something clever like, “Gwah?” “Congratulations,” David told me, “but don’t get too excited yet. Until we get official confirmation, things could change.”

Well sure. After the constant scheduling and rescheduling of the Today show, I wasn’t going to get my hopes up and get stung again (though I should add that the Today show will, indeed, now happen). But there was another problem, too: the date The Daily Show was setting aside was Thursday, October 10 — the same day I was scheduled to appear at the New York Society Library. That event was scheduled to get underway at 7 p.m. — and if things went as planned, I wouldn’t be getting out of The Daily Show until that same time. We went to the NYSL, hat in hand, to see if we could get the start time pushed back even 30 minutes, though the mechanics of getting me across town at that time of night were going to mean cutting things very, very close. Unfortunately, none of us could figure out how to get it to work, and Mark Bartlett and his staff at the NYSL were incredibly generous — and very understanding — and graciously offered to reschedule the NYSL event for another time.

On October 1, then, came the word we (meaning me and David and the publicity team at Random House) were waiting for: I had been officially confirmed. The seventy-five minutes between 5:45 and 7:00 p.m. were blocked off on my schedule on Thursday, October 10. And while it was still nine days away, that was nine days I had to be an anxious mess. And man, was I nervous.

On the afternoon of the 10th, then — a somewhat cool and overcast Thursday — my wife (Barb, thank goodness, came along as moral support) and I sat in the lobby of our New York hotel, while I nursed a beer and nervously bounced my knee up and down. The Daily Show takes good care of you from moment one, and a car came by the hotel to pick us up and whisk us away to their studios—one of those experiences where you’re excited at the idea of riding in an Actual Private Car — with a driver barking his estimated arrival time into a walkie talkie the entire way — but still vaguely embarassed that someone is holding a door open for you.

We were brought up to the back door — a blank door in a blank wall with no sign whatsoever of what was behind it — and met by Hillary, the producer for my segment, who escorted us down a little jog of a hall to an open door with a sign next to it that read BRIAN JAY JONES.  Nice.

Next to the sign was the Green Room — which is actually not green at all, but rather a cozy, living room-like space with stuffed chairs and a comfy sofa where guests wait until needed — and here I was met by my editor Ryan Doherty, and the ever-patient, ever-present David Moench. Barb and I sank onto the couch in front of a large, hi-def television on which The Daily Show logo was visible. I bounced my knee again as I sat down, though a bit slower now, and we all chatted about what a surreal experience this was until I was taken away for a bit to go to makeup (mostly to reduce the glare off my bald head) and fitted with a remote microphone.

And suddenly, poking his head into the Green Room, was Jon Stewart.

My wife — a big fan — pointed and gasped. “No WAY!” she finally said, and Stewart laughed that quick high-pitched giggle of his and said, “YES WAY!”  We all shook hands and he stood with his arms folded as we chatted briefly for a few minutes — he was particularly fascinated by Jim’s memorial service, which he had recently viewed on YouTube. Then he disappeared to get to work.

We all watched the show on the hi-def TV in the Green Room. There was no noise, no sounds, no indication that a TV show was being taped anywhere in the building; we could almost have been sitting in our own living room.

Shortly after the second segment concluded, Hillary stood in the doorway and said, “Ready to go?” Acting much less nervous than I actually was, I followed her through a maze of corridors, each one darker than the next, until I was  standing with a dark curtain to my right and looking at Jon Stewart at his desk about ten feet in front of me. The desk was on a platform about a foot off the ground, and I was  considering the various ways I could miss that step and face plant on national television when Hillary jolted me back to the present. “He’s getting ready to introduce you,” she said matter-of-factly, like you hear Jon Stewart say your name every day. “When I say, ‘Go!’ you go — and have fun out there.”

Suddenly, I heard Jon Stewart — Jon freaking Stewart! — saying my name, Hillary said, ‘Go!’ and out I went. The music played, the audience applauded, and I didn’t miss the step. Then I shook Jon Stewart’s hand and sat down. And just like that, I was on The Daily Show.  No rehearsals, no walk-throughs; it’s a finely-tuned, well-oiled machine, and you’re doing it in real time, one take. Wow.

It took me just a split second to get going — the best advice Hillary had given me in our pre-interview conversation was, “Don’t be afraid to talk, and don’t worry about stepping on Jon while he’s talking. He loves guests who talk.”  — and it took me just a moment to realize why Stewart is a great interviewer: he doesn’t really ask questions. Instead, he throws out comments or a bit of a conversation starter, and then lets you take things where you will.

Somehow, once we started talking, I wasn’t nervous — and it was over almost before I knew it.  And have you seen that moment just after the  interview where Stewart puts his head down near the desk and he and the guest have a brief bit of a conversation? It’s actually a very clever way of ensuring the guest doesn’t start to bail out of their seat before the camera cuts away. Instead, Jon Stewart leans in and stage whispers, “That was great, thanks so much — you did a great job” –and you lean in to listen, straining to hear, which keeps you in the chair until the fade out.  Very smart.

After shaking his hand again, I stood up, and was steered back to the Green Room by Hillary, where we all watched the final piece, a nod to a departing long-time producer. Then we all said our goodbyes, and went back to the waiting car to be whisked away again.  All told, it took about 75 minutes, just as promised. They’re really, really good at this, and I had a really, really good time.

And now, here I am on The Daily Show with Jon Stewart — a once-in-a-lifetime moment that I’ll never forget.

Willie, Washington, and Jon

So, remember that Today show appearance that was on the schedule, then off, then on, then off again? Well, it’s back on — but I won’t be live in studio.  Instead, I spent most of the day yesterday working with a crew from NBC, being interviewed on camera by Willie Geist for a longer feature they’ll be doing on Jim — and his biography — for Today. I was also very fortunate to have Frank Oz with me — and while we won’t be sitting on the couch together, he very graciously sat for a 40 minute interview, and said lots of wonderful things.

Afterwards, we spent the rest of the afternoon over at The Jim Henson Company workshop and archives, where Karen Falk and I talked about some of the countless terrific items Jim kept and filed away, which were invaluable for my research.

It should be a fun piece — Willie Geist is a big fan of Jim’s — and I’ll let you know when it’s going to run.  Right not, they’re aiming for October 15, but that could change, depending on how fast they can edit everything together.

That was yesterday. Then this morning I was up early to head over to a nearby studio to chat remotely with an NPR station in Boston to talk  about . . . (wait for it) . . . Washington Irving. The new Sleepy Hollow TV series (which I dig) has sparked something of an Irving revival — and is apparently driving lots of gawkers toward the little town on New York’s Highway 9 — so we spent the morning comparing Irving’s tale with the the TV show, and speculating on whether Irving would enjoy it (as a great nicker of other people’s tales, I think Irving would get a kick out of it, actually).

The real question, however, is this: is the Sleepy Hollow TV series taking place in some alternate universe where Irving never existed or even wrote the original tale? I mean really, when Crane introduces himself to someone in the show, no one ever goes, “Ichabod Crane? Yeah, right.” (On another tangent, I keep hoping we’ll find out Irving himself is part of the underground movement to protect the world from the forces of evil, and wrote “The Legend of Sleepy Hollow” either as a way of debunking one of the four horsemen, or perhaps sending some sort of coded message to future generations of protectors on how to fight the horsemen . . . Fox producers: Call me!)

I’m not at all surprised by the revived interest.  One of the leading search terms driving people to my website — after “Jim Henson,” of course — is “Is Legend of Sleepy Hollow real?” (which keeps sending people here).

Finally, in just a few hours I leave for The Daily Show with Jon Stewart. Holy cow.

Yaaaaaay!! *Kermit arm flail*

Two big announcements:

First, it’s official: at the end of its first week in release, Jim Henson: The Biography is now a genuine New York Times Bestseller.

Do it with me:

Thank you, Muppet and Jim Henson fans, for making Jim Henson such a success.  It was your enthusiasm that helped shoot us right out of the blocks, and I appreciate your excitement and support.  Really.  Thank you.

Second, on Thursday, October 10, I’ll be appearing on The Daily Show. And that’s really all I can say, as I’m still trying to pick my chin up off the floor.

Believe me, more to come.

 

West Bound and Down (If Only For a Moment…)*

…and hello again. I’m coming to you from San Francisco Airport, where I’m waiting to make my connecting flight to Los Angeles, where I’ll be taping an appearance on The Tavis Smiley Show tomorrow afternoon.  The moment I finish there, I go whizzing back to the airport and return to the East Coast so I can make another mad dash to New York.

It’s been more than a week since I last blogged – and what a week it was.  On Tuesday, October 1, I was delighted – and incredibly flattered – to attend the booklaunch event for Jim Henson at the Museum of the Moving Image in New York. I had great fun sitting on a panel with Karen Falk, Bonnie Erickson, Fran Brill, Barbara Miller, and Dwight Bowers. (The expertise on Jim and the Muppets was so deep and wide that I was joking just before we all went on that all I really had to do was sit there and refer all the questions to my fellow panelists….)

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The panel for Jim Henson: The Biography commences (under the watchful eyes of Jim, Kermit and Ernie): From left, Dwight Bowers, Karen Falk, Your Humble Narrator, Craig Shemin, Fran Brill, Bonnie Erickson, and Barbara Miller.

The panel – moderated by Craig Shemin, current President of the Jim Henson Legacy – opened with three really interesting clips of Jim making various talk show appearances, including one that I had never seen before: a bizarre, ill-fated talk show pilot for Orson Welles. Welles appeared to be doing his best parody of himself, and Jim seemed on the edge of cracking up during most of the interview, while Frank Oz looked wryly unamused.

One of the neatest moments on the panel – for me, at least – was when Barbara Miller, one of the MOMI’s curators, pulled out a precious artifact that’ll eventually be on display for the Jim Henson exhibit. “I nearly brought Ernie,” she said, “but decided for something even more intimate.” There was an audible gasp from the crowd as she pulled out of a box – while wearing protective white gloves – Jim’s very own miked headset that he would’ve used while performing on set.  In fact, it appeared to be the very headset in this photo here (another of my very favorite photos of Jim):

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The audience asked great questions, and it was terrific to meet so many of Jim’s fans afterward who told me how much they enjoyed the book.  Thank you, each and every one of you who made the event. And thank you to the Museum of the Moving Image and the Jim Henson Legacy (and, yes, Random House!) for putting together such a great event.  It was a fitting way to kick off Jim’s biography.

I spent the next afternoon doing various radio shows over at SiriusXM – and as a longtime Sirius listener, it was great fun to see the inside of their studios and meet deejays like Frank DeCaro at OutQ, Meredith Ochs and Chris T at Road Dog, and the dynamite Judith Regan (who knows a thing or two about books and publishing).

And yes, just as I did when I appeared on The Diane Rehm Show, I got to wear the headphones. And no, while I kept my eyes peeled, I did not see Baba Booey. Darn it.

I’m getting ready to board now, so I’ll leave you for the moment.  But I’ll be back here shortly with one – no, make that TWO — exciting announcements.  And to say I’m thrilled about both of these would be the ultimate understatement.

See you in a bit.

* No, I’m not down. I was just making the reference work.

What a Week!

I was up late last night, doing The Jim Bohannon Show live in studio from downtown Washington, DC. I’m a fan from way back — when I was working as the night editor of my college newspaper back in the late 1980s, I would come back to my dorm room in the early morning hours and listen to him when he was sitting in for Larry King — and it was lot of fun to talk Jim Henson with him for a full hour.  If you missed it, the entire show is available right here (you’ll have to forward to the appropriate spot — I don’t come in until after the first hour.) It was such a good time, in fact, that I hardly minded getting snarled in traffic as I made my way out of Georgetown on a Friday night.

That was the exclamation point on a fun and exhausting week.  I spent most of Thursday and Friday on the phone doing interviews for places like Chicago, Wisconsin, Mississippi, and New Mexico — some of which I’ll link to when they’re posted, if you’d like to listen — and so far, I’ve managed to keep my voice and haven’t faded into a Bill Clintonesque rasp.  So far.

As advertised here earlier, I also had the pleasure of taking about Jim on The Diane Rehm Show (also taped right here in DC), with a generous assist from Dave Goelz, who phoned in from California.  To my delight (I’m easily thrilled), I even got to wear headphones while sitting in the studio, and only got a slight stare from guest host Susan Page when I did my Ringo Starr impression and asked it they could “turn  it down in my cans a bit.”

Anyway, if you missed me — and Dave — on Diane Rehm, you can listen to the show right here.

Finally, on Wednesday morning, I was pleased to be included in a piece on CBS This Morning about the Henson family’s donation of 20 Muppets to the Smithsonian Museum of American History.  Miss it? Here you go.

All in all, it’s been a terrific week — and the coming week will be even busier (and just as much fun) as I make the trip to New York for talks at the Museum of the Moving Image on October 1, and the 92Y on October 2. If you’re in New York, come on by. It’ll be fun. I promise.

Out For Launch

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Jim Henson in The Octagon. Not starring Chuck Norris.

With the Today show scuttled for this morning (but for good reason!), I was home in Maryland all day today — so just for fun, Barb and I spent the morning checking on Jim Henson in our local Barnes and Noble in Gaithersburg. We arrived in the store only a little after its 9 a.m. opening, and almost immediately spotted  Jim perched among the books on the highly-coveted center display table we only recently learned is called “The Octagon.” And it was even right there next to my pal Jamie Ford’s Songs of Willow Frost. Not bad.

It got even better almost immediately, as we’d only been in the store for a few minutes before the first copy was purchased. And now, ladies and gentlemen, here I am with Mr. Rich Wood, the first person to buy Jim Henson at my own local Barnes and Noble.  Pretty nice.

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Me with the super nice Rich Wood, who bought the first copy of Jim Henson at my local Barnes & Noble in Gaithersburg, Maryland.

It’s been a gratifying to see the book so well received by so many today.  There was this terrific review in the Washington Independent Review of Books, this long piece in The Atlantic, and lots of enthusiastic mentions by Jim Henson/Muppet fans across the web. To top it off, I was unexpectedly called to CBS Studios down in DC late this afternoon to be interviewed for a segment airing on CBS This Morning all about the Henson family’s latest donation of Muppets to the Smithsonian.  That piece will air tomorrow morning. 

It’s been a  great day, and I appreciate all the kind words, warm wishes, and enthusiasm for Jim Henson: The Biography. I hope you’re enjoying it — and when you get done, let me know what moved you, what made you laugh, what made you angry, what made you cry, and maybe even what made you shout, “No WAY!”

Thank you all so, so much. I mean it.

Finally, Happy Birthday, Jim! We still miss you.

And Now, Please Kick Your Set…

Okay, once more, with feeling.

We’ve now been told that we’re being rescheduled for Today once again — but there’s actually a good reason behind it.  Apparently, they’d like to do a longer segment on Jim, rather than just a quick chat on the couch. While I am (once again!) a bit bummed to miss Jim’s birthday and the launch date for his biography, I’m all in favor of them taking the time to do a lengthier piece.

But that also means I can’t yet tell you when the segment will air. So . . . stay tuned again.

Isn”t live television fun?

High Society and “Tough” Talk

A couple of events for you to put on your calendar, if you’re in New York the week of October 7 (yes, I know I seem to be in New York a lot — I’ll be posting a few non-Big Apple venues here shortly).

6a00d83453b09469e20133f58e2bf6970b-400wiOn Thursday, October 10, I’ll be speaking at one of my favorite places in New York, the New York Society Library. I had the privilege of talking about Washington Irving here a few years ago (wow, was it really five years ago now?) and it’s a great room in a great building, in an organization that’s got some seriously cool history. I’ll be speaking in the Members Room, starting at 6:30 p.m. This is a ticketed event, open to the public. And it should be fun.

nycc-panel-posterThe next evening, on October 11, I’m delighted to be taking part in a panel at the New York ComiCon, hosted, moderated, and put together by Joe Hennes and Ryan Roe over at ToughPigs. Officially titled “Tough Pigs Presents: Jim Henson: The Biography: The Panel” (yeah, I see what you did there, Joe), we’re bringing along three special guests to sit on a panel with me to discuss Jim’s life and work: Muppet designer Bonnie Erickson, Henson Company archivist Karen Falk, and Sesame Street performer Fran Brill, who I’m thrilled to at last be meeting in person.  This is yet another panel with a really deep bench when it comes to Jim Henson and the Muppets — heck, even the moderators are experts.  So, if you’re at ComiCon and wanna learn more about Jim Henson, the Muppets, the Muppet performers, or any number of his projects, we’ll be in Room 1A01 at the Javits Center, starting at 7:45 p.m.  Join us, won’t you? Thank you.